Situated within comics and graphic life writing scholarship, this article examines the rhetoric of serially illustrating Chinese labour in David H.T. Wong’s Escape to Gold Mountain. It reads the alignment of dead, murdered, injured, and struggling Chinese labourers alongside Indigenous characters and Chinese North American trailblazers as part of the book’s commemorative impulse to memorialize these historical figures and relationships in the (trans)national imaginary. It also claims that the narrative’s rhetorical shifts, from satire to irony, melancholy to condemnation, all form an ethical appeal to the reader to remember and honour the lives and contributions of the Gold Mountain migrants when their presence in the visual and historical archive has been dehumanized by Yellow Peril discourses. However, the article concludes that Wong’s anti-racist memorial project also problematically reinvests in the model minority myth, indigenizes the figure of the Chinese labourer, and upholds a settler colonial relationship to the land.