Original Sin according to John Duns Scotus

2021 ◽  
Vol 79 (1) ◽  
pp. 111-132
Author(s):  
Ernesto Dezza
Keyword(s):  
Original Sin ◽  
John Duns Scotus ◽  
Duns Scotus

Gerard Manley Hopkins and the Spell of John Duns Scotus

2015 ◽  
Author(s):  
John Llewelyn
Keyword(s):  
Nineteenth Century ◽  
John Duns Scotus ◽  
Gerard Manley Hopkins ◽  
Duns Scotus ◽  
Formal Distinction

The Early Mediaeval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of logical universality and logical particularity by arguing for a metaphysics of ‘formal distinction’. Why did the Nineteenth Century poet and self-styled philosopher Gerard Manley Hopkins find this revolutionary teaching so appealing? John Llewelyn answers this question by casting light on various neologisms introduced by Hopkins and reveals how Hopkins endorses Scotus’s claim that being and existence are grounded in doing and willing. Drawing on modern respon ses to Scotus made by Heidegger, Peirce, Arendt, Leibniz, Hume, Reid, Derrida and Deleuze, Llewelyn’s own response shows by way of bonus why it would be a pity to suppose that the rewards of reading Scotus and Hopkins are available only to those who share their theological presuppositions

John Duns Scotus

2011 ◽  
pp. 611-619
Author(s):  
Thomas M. Izbicki ◽  
Russell L. Friedman ◽  
R. W. Dyson ◽  
Vilém Herold ◽  
Ota Pavlíček ◽  
...  
Keyword(s):  
John Duns Scotus ◽  
Duns Scotus

scholarly journals Giovanni Vendramin i iluminacije u inkunabulama samostana Sv. Frane u Šibeniku

Ars Adriatica ◽  
2015 ◽  
pp. 115
Author(s):  
Bojan Goja
Keyword(s):  
John Duns Scotus ◽  
High Quality ◽  
Duns Scotus

The monastery of the Conventual Franciscans at Šibenik houses a valuable collection of incunables among which the illuminated examples deserve particular attention. The incunable of John Duns Scotus’ Scriptum in quattuor libros Sententiarum Petri Lombardi (Johannes de Colonia et Johannes Manthen, Venice, 1477) is decorated with high-quality figural and phytomorphic illuminations displaying marked similarities with the works of Giovanni Vendramin, a Renaissance miniaturist from Padua. The edition of Caesar’s Commentariorvm de bello Gallico (Milan, Antonius Zarotus, 1477) features decorative frames with white vine stalks (bianchi girari). This type of the decorative frame was frequently used by Giovanni Vendramin and the examples from Šibenik are closely related to some of his works, especially those made for the Bishop of Padua Jacopo Zeno.

John Duns Scotus

2005 ◽  
pp. 27-41
Author(s):  
Nathan Widder
Keyword(s):  
John Duns Scotus ◽  
Duns Scotus
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