Cartographies of Youth Resistance

2020 ◽  
Author(s):  
Maurice Rafael Magaña
Keyword(s):  
Humanities ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 32
Author(s):  
Satoru Fukamachi

When William Came by Saki (H. H. Munro) is a unique novel in the genre of invasion literature. Starting after a fictional war between Britain and Germany, it depicts no scenes of invasion. Recently, there have been studies from the perspective of how Munro and other authors in the genre viewed Germany and Britain. Some studies also refer to Munro’s deliberate lack of depiction of the war. However, it seems that no studies have looked into the reasons why the war is not depicted. This paper argues that the story is not about showing British military unpreparedness but about how psychological weapons work. It could even be said that depictions of war would distract from the focus on propaganda and its effect on people. Considering this work as being about a British and German propaganda war opens up a new perspective that is different from previous studies. When William Came is a work that points out Britain’s unpreparedness for psychological war by imagining and detailing possible propaganda strategies. It has been said that the novel’s ending is unsatisfactory, as it only ends up showing the potential for youth resistance. However, if it is understood that this novel, from beginning to end, is about a propaganda battle, a war that is fought under the surface, then the final chapter can also be understood as a thrilling one.


2016 ◽  
Vol 79 (1) ◽  
pp. 14-23
Author(s):  
Tyson E. J. Marsh

2016 ◽  
pp. 93-104
Author(s):  
Julie Tilsen ◽  
David Nylund
Keyword(s):  

2019 ◽  
Vol 7 (1-2) ◽  
pp. 122-144
Author(s):  
Kai Khiun Liew ◽  
Crystal Abidin

Abstract This paper explores episodes of provocative online articulations and the accompanying angry public reactions as part of the cultural politics of juvenile online resistance in contemporary Singapore. Rather than viewing such delinquency as ‘youth deficits’, this paper seeks a literary-culturalist standpoint in exploring the uninhibited audacity of these public online displays. We perceive such performances as reflecting the critical and socially unrestrained emotional subjectivities of ‘youth mirroring deficits’ of the ‘Emperor’s new clothes’. The authors propose to appropriate the colloquial Singaporean Chinese Hokkien term of Si Geena (brat), a label commonly used to describe these offending personalities, to frame the dynamics of youth resistance, and new media in Singapore. Si Geena are often un-social digital juvenile provocateurs baiting moral outrage and public indignation. In turn, societal responses to the Si Geena’s episodic resistance reveal the contradictions, insecurities, and volatility of Singapore’s reactive public.


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