Present-ness and Representation of Post-Pandemic Performances: Artaud’s Theater of Cruelty and Rauschenberg’s Open Score

2021 ◽  
Vol 55 ◽  
pp. 163-182
Author(s):  
Whuiyeon Jin
Keyword(s):  
Theater Of Cruelty

Industrial Music as a Theater of Cruelty

Assimilate ◽  
2013 ◽  
pp. 168-171
Author(s):  
S. Alexander Reed
Keyword(s):  
Theater Of Cruelty

Conclusion

2017 ◽  
Author(s):  
Matthew Wilson Smith
Keyword(s):  
Natural Science ◽  
Theater Of Cruelty

The Conclusion begins with a consideration of parallels between two works written around 1900: Freud’s The Interpretation of Dreams (1955) and Strindberg’s A Dream Play (1901). These works, which were reactions to failure to unify natural science and psychology, correspond with the return to interpretation at the end of a nervous century. This neurologically informed turn to hermeneutics at century’s end ultimately sets the stage for Artaud’s Theater of Cruelty, a new and more virulent theater of sensation. Artaud’s insistence that all thought and feeling must be communicable and yet that words are fundamentally inadequate to this task leads inexorably to the conclusion that language must be concretized—must become pure corporeal sensation—and that this force of sensation must be as all-inclusive as thought itself is to the thinker..

scholarly journals The semiotics of the theater of cruelty

Semiotica ◽  
1985 ◽  
Vol 56 (3-4) ◽  
Author(s):  
IRIS SMITH
Keyword(s):  
Theater Of Cruelty

The Medieval Theater of Cruelty: Rhetoric, Memory, Violence (review)

1999 ◽  
Vol 51 (3) ◽  
pp. 343-345
Author(s):  
Michal Kobialka
Keyword(s):  
Medieval Theater ◽  
Theater Of Cruelty

Agitated States: Performance in the American Theater of Cruelty (review)

2004 ◽  
Vol 56 (1) ◽  
pp. 130-131
Author(s):  
Jodi Kanter
Keyword(s):  
American Theater ◽  
Theater Of Cruelty
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