scholarly journals Richard Brome, Caroline Playwright

Books Abroad ◽  
1962 ◽  
Vol 36 (2) ◽  
pp. 198
Author(s):  
C. G. Thayer ◽  
R. J. Kaufmann
Keyword(s):  
Richard Brome

L'homosexualité féminine dans A Mad Couple Well Match'd (1639) de Richard Brome

XVII-XVIII ◽  
1985 ◽  
Vol 20 (1) ◽  
pp. 23-36 ◽  
Author(s):  
Nadia J. Rigaud
Keyword(s):  
Richard Brome

Review: Richard Brome: Place and Politics on the Caroline Stage

2005 ◽  
Vol 56 (226) ◽  
pp. 672-674
Author(s):  
Paulina Kewes
Keyword(s):  
Richard Brome

Richard Brome: Place and Politics on the Caroline Stage (review)

2005 ◽  
Vol 39 (1) ◽  
pp. 112-114
Author(s):  
Matthew C. Hansen
Keyword(s):  
Stage I ◽  
Richard Brome

scholarly journals Bringing Richard Brome Online

Early Theatre ◽  
2010 ◽  
Vol 13 (1) ◽  
Author(s):  
Brett D. Hirsch
Keyword(s):  
Richard Brome

scholarly journals Offstage and Onstage Drama: New Approaches to Richard Brome

Early Theatre ◽  
2007 ◽  
Vol 10 (2) ◽  
Author(s):  
Eleanor Lowe
Keyword(s):  
New Approaches ◽  
Richard Brome

scholarly journals The Space of Identity and the Identity of Space in The City Wit by Richard Brome

Sederi ◽  
2011 ◽  
pp. 71-90
Author(s):  
Cristina Paravano
Keyword(s):  
Moral Values ◽  
Social Recognition ◽  
Use Of Space ◽  
City Comedy ◽  
Richard Brome ◽  
The City

My paper examines The City Wit (1629-1632), a city comedy by Richard Brome revolving around the unscrupulous trade world, where all the characters aim at social recognition, even trampling on feelings and moral values. My objective is to investigate the play as one of the earlier examples of strategic use of space in Brome’s dramatic production. Firstly, I will consider the function of space in relation to the identity of the single characters. Secondly, I will show how space can be manipulated for the re-fashioning of a new identity, as in the case of Jeremy, a male servant disguised as a widow, who builds up a fictitious Cornish identity. Finally, I will analyze the geography of the play focusing in particular on the scene set in the Presence Chamber of Whitehall.

Le théâtre dans le théâtre : permanence d'une structure baroque dans The Antipodes (1638) de Richard Brome

XVII-XVIII ◽  
2002 ◽  
Vol 54 (1) ◽  
pp. 27-43 ◽  
Author(s):  
Athéna Estathiou-Lavabre
Keyword(s):  
Richard Brome
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