Actes des congrès de la Société française Shakespeare
Latest Publications

TOTAL DOCUMENTS

572

(FIVE YEARS 11)

H-INDEX

(FIVE YEARS 0)

Published By Openedition

2271-6424

Latest Documents Most Cited Documents Contributed Authors Related Sources Related Keywords

Memes, Screens and Broadway Scenes: Popular Culture Representations of Shakespeare’s Actors in the Age of Participatory Media

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6234 ◽

2021 ◽

Author(s):

Melissa Merchant

Keyword(s):

Popular Culture ◽

Participatory Media

Actors’ Annotations and Paradoxical Editions of Shakespeare’s Texts

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.5993 ◽

2021 ◽

Author(s):

Arlynda Boyer

Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s Globe under Emma Rice and Michelle Terry

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6048 ◽

2021 ◽

Author(s):

Miranda Fay Thomas

‘All a matter of scale’? – Shakespearean acting and the cinema’s eyes and ears

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6300 ◽

2021 ◽

Author(s):

Russell Jackson

Rhetoric, mimesis and Elizabethan acting: lessons from Hamlet

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6479 ◽

2021 ◽

Author(s):

David Wiles

“The power of such vast imaginings”1: Actors, Spectators and Their Acting Copies in 19th century Shakespearean reception

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6360 ◽

2021 ◽

Author(s):

Gabriella Reuss

Keyword(s):

19Th Century

Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.5904 ◽

2021 ◽

Author(s):

Tiffany Stern

Editing Hamlet for Performance

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6059 ◽

2021 ◽

Author(s):

Abigail Rokison-Woodall

‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6104 ◽

2021 ◽

Author(s):

Ilana Gilovich

Intertheatrical Cues and Shakespearean backstories: staging the tug of memory

Actes des congrès de la Société française Shakespeare ◽

10.4000/shakespeare.6199 ◽

2021 ◽

Author(s):

William E. Engel

Actes des congrès de la Société française ShakespeareLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Openedition

Memes, Screens and Broadway Scenes: Popular Culture Representations of Shakespeare’s Actors in the Age of Participatory Media

Actors’ Annotations and Paradoxical Editions of Shakespeare’s Texts

Re-defining the Shakespearean Actor: Casting and Diversity at Shakespeare’s Globe under Emma Rice and Michelle Terry

‘All a matter of scale’? – Shakespearean acting and the cinema’s eyes and ears

Rhetoric, mimesis and Elizabethan acting: lessons from Hamlet

“The power of such vast imaginings”1: Actors, Spectators and Their Acting Copies in 19th century Shakespearean reception

Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking

Editing Hamlet for Performance

‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth

Intertheatrical Cues and Shakespearean backstories: staging the tug of memory

Actes des congrès de la Société française Shakespeare
Latest Publications