Planting the Seeds of Theatrical Realism in China: Tian Han's Contributions to Modern Chinese Drama, 1920-1929

1988 ◽  
Vol 62 (1) ◽  
pp. 55
Author(s):  
Randy Barbara Kaplan
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

Chapter Seven Women and Gender in Modern Chinese Drama

2019 ◽  
pp. 131-155
Author(s):  
Kwok-kan Tam
Keyword(s):  
Women And Gender ◽  
Modern Chinese ◽  
Modern Chinese Drama ◽  
And Gender

Modern Chinese Drama and Its Western Models: A Critical Reconstruction of Chinese Subjectivity

Modern Drama ◽  
1992 ◽  
Vol 35 (1) ◽  
pp. 54-64
Author(s):  
Haiping Yan
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

“Before all else I’m a human being”: Ibsen and the rise of modern Chinese drama in the 1920s

Neohelicon ◽  
2018 ◽  
Vol 46 (1) ◽  
pp. 37-51 ◽  
Author(s):  
Chengzhou He
Keyword(s):  
Human Being ◽  
Modern Chinese ◽  
Modern Chinese Drama

Women and the Search for Modernity: Rethinking Modern Chinese Drama

2008 ◽  
Vol 69 (1) ◽  
pp. 45-60 ◽  
Author(s):  
C. He
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

Wang Guowei and the Beginnings of Modern Chinese Drama Studies

2007 ◽  
Vol 28 (2) ◽  
pp. 129-156
Author(s):  
Yuming He
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

The Columbia anthology of modern Chinese drama

2011 ◽  
Vol 48 (09) ◽  
pp. 48-4926-48-4926
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

Modern Chinese Drama: Characteristics – Problems – Perspectives

1983 ◽  
Vol 8 (3) ◽  
pp. 220-232
Author(s):  
Wolfram Schlenker ◽  
Antony Tatlow
Keyword(s):  
Political Context ◽  
Chinese Theatre ◽  
Modern Chinese ◽  
Commercial Theatre ◽  
Modern Chinese Drama ◽  
At Home

In China, Western theatre-goers often have the feeling that they are sitting in a boulevard theatre. At most the higher moral level and a certain didactic quality, together, with political seriousness, seem to distinguish the melodramas, comedies and thrillers from the popular plays of the commercial theatre at home. Reflecting on the different character of Chinese theatre, the European viewer quickly falls back on adjectives like ‘backward’, ‘underdeveloped’, even if he or she would justifiably reject such eurocentric judgments in an economic or political context. I should like to try not just to describe modern Chinese drama but to suggest some historical and social reasons for its specific characteristics.

Modern Chinese Drama

2013 ◽  
Author(s):  
Edward M. Gunn
Keyword(s):  
Modern Chinese ◽  
Modern Chinese Drama

World drama and modern Chinese drama in its broad context

Neohelicon ◽  
2019 ◽  
Vol 46 (1) ◽  
pp. 7-20
Author(s):  
Ning Wang
Keyword(s):  
Broad Context ◽  
Modern Chinese ◽  
Modern Chinese Drama ◽  
World Drama
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