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2022 ◽  
Author(s):  
Ken Richardson

Have you ever wondered why psychologists still can't agree on what intelligence is? Or felt dismayed by debates around individual differences? Criticising the pitfalls of IQ testing, this book explains the true nature of intelligent systems, and their evolution from cells to brains to culture and human minds. Understanding Intelligence debunks many of the myths and misunderstandings surrounding intelligence. It takes a new look at the nature of the environment and the development of 'talent' and achievement. This brings fresh and radical implications for promoting intelligence and creativity, and prompts readers to reconsider their own possibilities and aspirations. Providing a broad context to the subject, the author also unmasks the ideological distortions of intelligence in racism and eugenics, and the suppressed expectations across social classes and genders. This book is a must-read for anyone curious about our own intelligence.


2021 ◽  
Vol 2 (2) ◽  
pp. 134-139
Author(s):  
Aftab Ahmad ◽  
Murad Ali Rahat ◽  
Adnan Wahab ◽  
Subhanuddin ◽  
Muzafar Shah ◽  
...  

A single paragraph of about 200 words maximum. For research articles, abstractsshould give a pertinent overview of the work. We strongly encourage authors touse the following style of structured abstracts, but without headings: (1) Background:Place the question addressed in a broad context and highlight the purpose of the study;(2) Methods: briefly describe the main methods or treatments applied; (3) Results: summarize the article's main findings; (4) Conclusions: indicate the main conclusions or interpretations. The abstract should be an objective representation of the article and it must not contain results that are not presented and substantiated in the main text and should notexaggerate the main conclusions.


Cahiers ERTA ◽  
2021 ◽  
pp. 64-108
Author(s):  
Tomasz Swoboda

Masks in Documents (1929-1930), an illustrated magazine The masks in Documents should be read in a broad context, which goes beyond the columns of the journal to also embrace the birth of ethnology in France, the surrealist neighborhood but also the years to come, which will hardly see the development of ideas sketched in the magazine. At the same time, the presence of the masks highlights the disparate character of the journal itself, where the more or less ethnological texts devoted to the masks of traditional societies respond to much less academic articles in which the mask slips in the direction of the strange and monstrous. This allows to deconstruct Western aesthetics and, first and foremost, the human figure as its most codified and, therefore, most untouchable expression. The mask can even be considered as the embodiment of the concept of disparity which seems to govern the counter-aesthetic of the journal. Finally, the mask is emblematic of the internal gap in the journal, that between ethnologists and poets, or between academicism and subversion.


2021 ◽  
Vol 28 (2) ◽  
pp. 23-41
Author(s):  
Feliks Czyżewski

The article presents Kajetan Kraszewski’s opinions on the Uniate Church in Podlasie, included in his Silva rerum. The views of the author of Kronika rodzinna (Family chronicle) are confronted with the statements of the researchers (mostly historians, literary scholars and linguists) within the broad context of the political, social and cultural life of the Polish-Lithuanian Commonwealth and the partition periods. By comparing research literature and excerpts from Silva rerum, the article analyses the effects of the Union of Lublin and the Union of Brest for the peasant community of Podlasie in the 1860s and 1870s. As presented in Kajetan Kraszewski’s Kronika, the tragedy of the followers of the Uniate Church in Podlasie resulted from the social and religious conditions that fuelled the divides during the time of the Russian partition (divide et impera). Kraszewski’s Silva rerum constitutes an image of the distance with which peasants treated Podlasie’s Uniate Church members, similar to the latter’s during the “masters’” uprising of 1863 (“in the masters’ uprising – we stayed aside watching”).


2021 ◽  
pp. 205-209
Author(s):  
Marta Kravchenko

The album The Word Became the Body. XII International Icon Painting Plein Air in Nowica was published in Warsaw in 2020. It discusses works on the above topics. The texts of the Russian researcher of icon painting Irina Yazykova and Dr. Waldemar Linke present a broad context of the subject, both theological and artistic. The collection contains images of 50 modern iconographic works. The text is presented in four languages: Polish, Russian, Belarusian and Ukrainian.


2021 ◽  
Vol 26 (4) ◽  
pp. 391-399
Author(s):  
Pamela Oliver

This special issue of Mobilization collects five research articles about the Black Lives Movement (BLM) plus two essays by the editors. This introductory essay provides the broad context of the BLM. It shows how the protests and movement demands of 2020 after the horrific murder of George Floyd were tied to the protests and organizing of 2014–16 which, in turn, built on at least two decades of prior organizing. Protests about police violence are central to Black movements because police repression enforces White supremacy.


Author(s):  
Jamshid Gadoev ◽  
Anthony D. Harries ◽  
Oleksandr Korotych ◽  
Ajay M. V. Kumar ◽  
Andrei Dadu ◽  
...  

A single paragraph of about 200 words maximum. For research articles, abstracts should give a pertinent overview of the work. We strongly encourage authors to use the following style of structured abstracts, but without headings: (1) Background: Place the question addressed in a broad context and highlight the purpose of the study; (2) Methods: briefly describe the main methods or treatments applied; (3) Results: summarize the article’s main findings; (4) Conclusions: indicate the main conclusions or interpretations. The abstract should be an objective representation of the article and it must not contain results that are not presented and substantiated in the main text and should not exaggerate the main conclusions.


Literatūra ◽  
2021 ◽  
Vol 63 (2) ◽  
pp. 192-203
Author(s):  
Polina Poberezkina

The tragedy Prologue written in 1960s is analyzed in the broad context of the history of its creation, Anna Akhmatova’s biographical myth and world culture. The article mentions the problems of academic publication of the text and presents materials for scientific commentary on it. The incompleteness of the play is viewed in connection with its heterogeneous character combining lyrics, drama and epos, verses and prose, tragic and comic, ancient and modern, East and West, national and global, culture and everyday life, written and oral styles.


2021 ◽  
Vol 11 (11) ◽  
pp. 696
Author(s):  
Marco Giliberti

The paper contains progress reports supported by data about two short activities aimed at introducing physics themes in primary school. The first is a formal storytelling intervention named “Mommy Comet” carried out in first- and fifth-grade classes and concerning motion in the absence of forces in the Solar System broad context. The second is an informal work with third-, fourth- and fifth-degree students to investigate what physics is about. The results obtained by analyzing questionnaires and conducting interviews show how these narrative tools can offer wide potentialities and prove great effectiveness in introducing young students to physics.


2021 ◽  

This specially commissioned collection of thirteen essays explores the life and works of Hildegard of Bingen (1098-1179), monastic founder, leader of a community of nuns, composer, active correspondent, and writer of religious visions, theological treatises, sermons, and scientific and medical texts. Aimed at advanced university students and new Hildegard researchers, the essays provide a broad context for Hildegard's life and monastic setting, and offer comprehensive discussions on each of the main areas of her output. Engagingly written by experts in medieval history, theology, German literature, musicology, and the history of medicine, the essays are grounded in Hildegard's twelfth-century context, and investigate her output within its monastic and liturgical environments, her reputation during and after her life, and the materiality of the transmission of her works, considering aspects of manuscript layout, illumination, and scribal practices at her Rupertsberg monastery.


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