The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life by examining the horror genre in fiction, documentary, and participative modes. The book covers a variety of media: spirit photography, ghost-hunting reality shows, documentary and fiction films based on the Amityville and Enfield hauntings, found-footage horror movies, experiential cinema, survival games, and creepypasta. These works transform our interest in ghosts into an interactive form of entertainment. Through a transmedial approach to horror, this book investigates our expectations regarding the ability of photography and video to work as evidence. A historical examination of technology’s role in at once showing and forging truths invites questions about our investment in its powers, which is pertinent to the so-called post-fact scenario. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling out a hoax.
