Drawings of Roman Mosaics in the Topham Collection, Eton College Library

2021 ◽  
Author(s):  
Patricia Witts

This fully-illustrated study brings together over 70 prints and drawings from the collection of nearly 3,000 items formed by Richard Topham (1671-1730). Some are the only records of mosaics that no longer survive, and many are published here for the first time. The book includes a biographical chapter on Topham himself.

2018 ◽  
Vol 37 ◽  
pp. 141-182
Author(s):  
Anne Heminger

Whilst scholars often rely on a close reading of the score to understand English musical style at the turn of the fifteenth century, a study of the compositional techniques composers were taught provides complementary evidence of how and why specific stylistic traits came to dominate this repertory. This essay examines the relationship between practical and theoretical sources in late medieval England, demonstrating a link between the writings of two Oxford-educated musicians, John Tucke and John Dygon, and the polyphonic repertory of the Eton Choirbook (Eton College Library, MS 178), compiled c. 1500–4. Select case studies from this manuscript suggest that compositional and notational solutions adopted at the turn of the fifteenth century, having to do particularly with metrical proportions, echo music-theoretical concepts elucidated by Tucke and Dygon. These findings impinge upon the current debate concerning the presence of a network between educational institutions in the south-east of England during this period.


1881 ◽  
Vol s6-IV (89) ◽  
pp. 205-205
Author(s):  
E. Walford
Keyword(s):  

1881 ◽  
Vol s6-III (72) ◽  
pp. 381-384
Author(s):  
Francis St. John Thackeray
Keyword(s):  

1881 ◽  
Vol s6-IV (82) ◽  
pp. 61-62
Author(s):  
Francis St. John Thackeray
Keyword(s):  

1881 ◽  
Vol s6-III (72) ◽  
pp. 384-384
Author(s):  
Henry Bradshaw
Keyword(s):  

1881 ◽  
Vol s6-III (76) ◽  
pp. 461-462
Author(s):  
Francis St. John Thackeray
Keyword(s):  

1949 ◽  
Vol 43 (1-2) ◽  
pp. 45-46
Author(s):  
O. A. W. Dilke
Keyword(s):  

The most reliable manuscript of Statius' Achilleid is the Puteaneus (P), and its authority, against the group QKC, is frequently upheld only by the Codex Etonensis (E). The readings of this manuscript (Eton College library), which contains, apart from the Achilleid, Maximian, Ovid's Remedium Atnoris and other poems, were collated by C. Schenkl, Wiener Studien, iv (1882), 96 ff., and were used by H. W. Garrod for the O.C.T. of Statius: Klotz in the Teubner 2nd edition merely notes the readings of Schenkl and of the Oxford text. Unfortunately these are neither complete nor always accurate; and the latter should be corrected as follows:1. In three passages the Oxford text differs from the reading of PEKQ without noting the fact: Ach. i. 145 Non superant is not, as implied, the MS. reading, but Havet's conjecture: PEKQ have nam superant. 306 PEKQ have impulsam (inpulsam), not impulsum. 680 PEKQ ibi, not ubi.


In Notes and Records , Vol. 13, No. 2, I referred to a copy of Cicero’s Epistolae familiares (1550), which belonged to Robert Boyle when he was a boy at Eton and in which he had scribbled his name. Since then I have discovered two more books in Eton College Library written in by him. One is a copy of two works of Aristotle bound together, both of the Greek text, the Ethica (Frankfurt, 1584) and the Politico and Oeconomica (Frankfurt, 1587). On a fly-leaf is written in a childish hand: ‘I Robert Boyle doe say Albert Morton is a brave boy.’ The other is a copy of two works by Joannis Treminius, a Spanish theologian, also bound together, In Ionae Prophetiam Comentarii and Commentarii Regis, & Prophetae celeberrimi Psalmos , both published at Oriola in 1623. This was written on a fly-leaf in the same hand: ‘Albertus Morton is a most brave & rare boy. 1638.’ Albert Morton was at Eton from 1634 to 1639, first, like Boyle, a commensal of the second table, and then a Colleger. He was the son of Sir Robert Morton, a captain in the Dutch service, and nephew of Albert Morton, who was Sir Henry W ootton’s secretary in Venice from 1604 to 1615 and was appointed Secretary of State in 1625. He died a few months later, his wife following him very shortly to the grave. On her Wotton wrote what is, perhaps, the most perfect English epitaph: He first deceased; She for a little tried To live without him: lik’d it not, and died.


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