scholarly journals Notion of Private Language in Wittgenstein's Tractatus Logico-philosophcus and some Contemporary Linguistic Refutations

2021 ◽  
Vol 22 (1) ◽  
pp. 63-75
Author(s):  
Marko Kardum ◽  
Ines Skelac

In this paper, the possibility of private language argument in Tractatus Logico- Philosophicus is analyzed. The concept of ‘language that only I could understand” is connected to solipsism, or the impossibility to understand other people’s way of seeing the world. But all members of the same community are able to communicate using the same language, so this language is a general language, and there is no private language, just a private perception of the world. Contemporary linguistic theories of Chomsky and de Saussure are close to this interpretation of private language.

2021 ◽  
Vol 30 (2) ◽  
pp. 107-116
Author(s):  
Kailashkanta Naik ◽  

When philosophy of mind goes into every detail in explaining about consciousness and its every aspect, the problem of other minds being its part is not spared. In such context going against the traditional way of giving justification Wittgenstein novel approach to other minds is remarkable and is close to the phenomenological understanding. The analysis of the sensation of pain as one of its important factors in solving the other minds problem is unique and it is this that proves how Wittgenstein dissolves the problem rather than giving a solution. This article focuses Wittgenstein’s two important factors: Private Language Argument and the concept of the sensation of pain in dissolving the issue. And in this I have made an attempt to show how his novelty in approaching this problem gains importance even today.


2018 ◽  
Vol 23 (2) ◽  
pp. 307-323 ◽  
Author(s):  
Aviv Reiter

AbstractWittgenstein’s private language argument claims that language and meaning generally are public. It also contends with our appreciation of artworks and reveals the deep connection in our minds between originality and the temptation to think of original meaning as private. This problematic connection of ideas is found in Kant’s theory of fine art. For Kant conceives of the capacity of artistic genius for imaginatively envisioning original content as prior to and independent of finding the artistic means of communicating this content to others. This raises the question of whether we can conceive of art as both original and meaningful without succumbing to privacy.


1989 ◽  
Vol 33 (1) ◽  
pp. 285-303
Author(s):  
John McDowell

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