Humanism and Law in Elizabethan England: The Annotations of Gabriel Harvey

Author(s):  
David Ibbetson
Keyword(s):  
2020 ◽  
pp. 49-55
Author(s):  
R. M. Cummings
Keyword(s):  

Author(s):  
Jennifer Richards

This chapter shifts attention from the literariness of Thomas Nashe’s style to its performability. It recalls the role performance played in his education, and his links to the theatre. It considers what was so meaningful about live performance that he tried to recreate its effect in printed prose. It explores the theatricality of his prose: his use of the rhetorical sentence to represent live thinking; his use of direct address in Summers last will and testament and The Unfortunate Traveller; and his imitation of the university play Pedantius in Have with you to Saffron Walden. Nashe’s attempt to bring the flat page to life with thought, wit, and emotion explains his criticism of Gabriel Harvey, whose pamphlets he represents as material objects that can be reduced to their constituent parts with no loss.


2016 ◽  
pp. 84-103
Author(s):  
Mike Pincombe
Keyword(s):  

1969 ◽  
Vol 16 (12) ◽  
pp. 459-461
Author(s):  
C. G. HARLOW
Keyword(s):  

1903 ◽  
Vol s9-XII (301) ◽  
pp. 263-265
Author(s):  
H. C. Hart
Keyword(s):  

1968 ◽  
Vol 15 (7) ◽  
pp. 249-250
Author(s):  
J. BILLER
Keyword(s):  

1870 ◽  
Vol s4-VI (152) ◽  
pp. 467-467
Author(s):  
A. S.
Keyword(s):  

2019 ◽  
Vol 31 (1-2) ◽  
pp. 87-100
Author(s):  
Dennis McCarthy

Ever since the discovery of the first quarto of Hamlet (Q1) in 1823, it has generated fierce debate among scholars about its origin. Recently, Terri Bourus has written a powerful book-length argument that Q1 was indeed by Shakespeare, as its title page states, and that he wrote it by 1589. The present article bolsters Bourus’s conclusion with a careful look at its title page claims as well as the literary satires of Thomas Nashe, Gabriel Harvey and Ben Jonson. Specifically, Q1’s title page and apparent allusions to Hamlet in the early 1590s pamphlet war of Nashe and Harvey independently confirm an earlier chronology for the tragedy. Jonson also attributes a line exclusive to Q1 to his caricature of Shakespeare in Every Man Out of His Humor (1600). The evidence suggests Shakespeare had written Q1 much earlier than conventionally assumed and that there was no ‘lost Hamlet’.


1972 ◽  
Vol XXIII (92) ◽  
pp. 401-416
Author(s):  
ELEANOR RELLE
Keyword(s):  

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