‘All Things are Words of Some Strange Tongue’: Dictionary Definition Form in Contemporary American Poetry

Author(s):  
Kate Potts

Through close analysis of dictionary definition form in the poetry of Robert Pinsky, Mary Kinzie, and Solmaz Sharif, and with reference to Mikhail Bakhtin’s The Dialogic Imagination (1975), this chapter explores the ways in which the dictionary definition poem celebrates and also questions the dictionary’s authority through the dialogic juxtaposition of different forms, registers, and discourses. The analyses problematise binary distinctions between poem as sound-focused, subjective, and individually constructed, and dictionary definition as textual, objective, and communally constructed. Both the dictionary definition and the poem share an association with word as artefact, with cultural memory and history, preservation and loss. This chapter demonstrates how, by encouraging the reader to ‘dwell in possibility’, the dictionary definition poem offers a fertile space for the discussion and reconfiguration of cultural meaning.

1988 ◽  
Vol 18 ◽  
pp. 365
Author(s):  
Margaret Dickie ◽  
Charles Altieri ◽  
R. W. (Herbie) Butterfield

1986 ◽  
Vol 60 (2) ◽  
pp. 314
Author(s):  
George Economou ◽  
Helen Vendler

Tempo ◽  
1982 ◽  
pp. 2-9
Author(s):  
David Schiff

Elliott Carter's new work for the London Sinfonietta, In Sleep, In Thunder, is a setting of six poems by Robert Lowell scored for tenor and fourteen instrumentalists and composed ‘in memory of the poet and friend’. With it Carter completes a triptych on contemporary American poetry that began with A Mirror on Which to Dwell (six poems of Elizabeth Bishop) and continued with Syringa, on the poem of that name by John Ashbery. Since Lowell himself suggested to the composer the initial choice of Elizabeth Bishop's poetry it seems appropriate that Lowell should receive a parallel (though posthumous) tribute.


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