Hold My Mule
This chapter explores the music and political activism of Shirley Caesar. Drawing on a rich body of archival sources, this chapter makes three important interventions: (1) it complicates conventional representations of Caesar as solely a traditional gospel artist by charting the influence of R&B and country on her music; (2) it details how Caesar’s signing with Word Records in 1980 signaled white Christian labels’ efforts to claim a bigger share of the black gospel market; and (3) it explores how Caesar navigated the black church’s gender politics. Along with illuminating Caesar’s remarkable success as an artist who identified strongly with the New South, this chapter also examines how she used her platform to build what religious studies scholar Cheryl Sanders calls “prophetic community.”