Syncretic Arenas
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Theatre and Modernization in the First Age of Globalization: The Cairo Opera House

Syncretic Arenas ◽

10.1163/9789401211802_015 ◽

2014 ◽

pp. 133-157

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Between Soyinka and Clark: The Dynamics of Influence on Esiaba Irobi’s Nwokedi

Syncretic Arenas ◽

10.1163/9789401211802_013 ◽

2014 ◽

pp. 91-102

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Omonla:* Your Like Will Never Be There Again: 7 Prose Poems/Haikus [For Esiaba Irobi]

Syncretic Arenas ◽

10.1163/9789401211802_008 ◽

2014 ◽

pp. 47-52

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Esiaba Irobi and His Muse

Syncretic Arenas ◽

10.1163/9789401211802_004 ◽

2014 ◽

pp. 25-34

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Preliminary Material

Syncretic Arenas ◽

10.1163/9789401211802_001 ◽

2014 ◽

pp. i-xxvii

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“I want to dialogue”: Chief Muraina Oyelami Talking Oṣogbo and Beyond

Syncretic Arenas ◽

10.1163/9789401211802_024 ◽

2014 ◽

pp. 333-346

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Afrika Cultural Centre: Phoenix under Apartheid and Burnt Ember under Democracy?

Syncretic Arenas ◽

10.1163/9789401211802_018 ◽

2014 ◽

pp. 195-221 ◽

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Directing Politics: Soyinkan Parallels in the Works of Uganda’s Robert Serumaga

Syncretic Arenas ◽

10.1163/9789401211802_017 ◽

2014 ◽

pp. 183-194

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Autobiography as Counter-Memory in The Orange Earth of Adam Small

Syncretic Arenas ◽

10.1163/9789401211802_016 ◽

2014 ◽

pp. 159-182

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Eclipsed Visions: Esiaba Irobi Interviewed

Syncretic Arenas ◽

10.1163/9789401211802_014 ◽

2014 ◽

pp. 103-132

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