Song Acts
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Published By Brill | Rodopi

9789004342132, 9789004342132, 9789004342125, 9789004342125

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Murderous Women in German Opera [2008]

Song Acts ◽

10.1163/9789004342132_012 ◽

2017 ◽

pp. 269-282

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Hugo Wolf: Subjectivity in the Fin-de-Siècle Lied [1996/2009]

Song Acts ◽

10.1163/9789004342132_007 ◽

2017 ◽

pp. 146-177

Keyword(s):

Fin De Siecle ◽

Hugo Wolf ◽

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Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert [1987]

Song Acts ◽

10.1163/9789004342132_006 ◽

2017 ◽

pp. 126-145

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“Syringa”: John Ashbery and Elliott Carter [1980/1984]

Song Acts ◽

10.1163/9789004342132_005 ◽

2017 ◽

pp. 105-125

Keyword(s):

John Ashbery ◽

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Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings [2002]

Song Acts ◽

10.1163/9789004342132_011 ◽

2017 ◽

pp. 248-268

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Recalling the Sublime: The Logic of Creation in Haydn’s Creation* [2009]

Song Acts ◽

10.1163/9789004342132_014 ◽

2017 ◽

pp. 304-328

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The Schubert Lied: Romantic Form and Romantic Consciousness [1986/2016]

Song Acts ◽

10.1163/9789004342132_003 ◽

2017 ◽

pp. 52-85

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Subjectivity Unbound: Music, Language, Culture [2003/2012]

Song Acts ◽

10.1163/9789004342132_021 ◽

2017 ◽

pp. 451-463

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The Strange Case of Beethoven’s Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare [1995]

Song Acts ◽

10.1163/9789004342132_019 ◽

2017 ◽

pp. 403-428

Keyword(s):

Romantic Aesthetics

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Performance and Social Meaning in the Lied: Schubert’s Erster Verlust [1994]

Song Acts ◽

10.1163/9789004342132_004 ◽

2017 ◽

pp. 86-104

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