Contending for the “Chinese Modern”
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11

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9789004398627, 9789004398634

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Introduction

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_003 ◽

2019 ◽

pp. 81-133

Conclusion

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_012 ◽

2019 ◽

pp. 568-577

From Feminist to Party’s Intellectual? Identity (Trans-)formation and Ding Ling’s “New Woman Stories”

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_011 ◽

2019 ◽

pp. 519-567

Keyword(s):

New Woman ◽

Intellectual Identity

“Subjectivity” and Class Consciousness: Intellectual’s Predicament and Lu Ling’s “Neo-Leftist Stories”

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_008 ◽

2019 ◽

pp. 361-414

Keyword(s):

Class Consciousness

Alienated Minds Dreaming for Integration: Constrained Cosmopolitanism in Wumingshi’s and Xu Xu’s “Modern Literati Novel”

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_007 ◽

2019 ◽

pp. 321-360

Introduction

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_009 ◽

2019 ◽

pp. 417-474

Introduction

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_002 ◽

2019 ◽

pp. 1-77

“Problem Stories” as Part of the “National Form”: Rural Society in Transition and Zhao Shuli’s “Peasant Stories”

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_010 ◽

2019 ◽

pp. 475-518

Keyword(s):

Rural Society

Matrimonial Syndrome in a Besieged Society: Identity Complex in Eileen Chang’s “Boudoir Stories”

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_005 ◽

2019 ◽

pp. 195-267

Aborted Dreams of “New Women”: Xiao Hong and Mei Niang

Contending for the “Chinese Modern” ◽

10.1163/9789004398634_004 ◽

2019 ◽

pp. 134-194

Keyword(s):

New Women ◽

Xiao Hong