Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance
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Published By Brepols Publishers

9782503579870, 9782503579887

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Musical Performance in Lope de Vega’s La discordia en los casados [Discord between Spouses]

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115575 ◽

2018 ◽

pp. 177-187

Author(s):

Ivy Howell Walters

Keyword(s):

Musical Performance

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Staging the Thirty Years’ War: Jesuit Drama and the Politics of Duke Maximilian I of Bavaria, 1600–1625

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115574 ◽

2018 ◽

pp. 155-175

Author(s):

William Bradford Smith

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A Case For Reperformance: Illustrations in the Istoire de la Destruction de Troie la Grant

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115570 ◽

2018 ◽

pp. 55-91

Author(s):

Lofton L. Durham

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The Spectacle of Sainthood: Performance and Politics of La Festa et Storia di Sancta Caterina in Siena

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115569 ◽

2018 ◽

pp. 35-54

Author(s):

Jenna Soleo-Shanks

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Performing Prudence in Sawles Warde and Chaucer’s Tale of Melibee

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115568 ◽

2018 ◽

pp. 17-34

Author(s):

Candace Hull Taylor

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The Discourse about Gender Relationships on the Urban Stage in Late Medieval German Shrovetide Plays and Verse Narratives

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115572 ◽

2018 ◽

pp. 111-133

Author(s):

Albrecht Classen

Keyword(s):

Late Medieval

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Drama in the Service of Orthodoxy: Dimitrii of Rostov’s Theatrical Investigation of the Schism

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115576 ◽

2018 ◽

pp. 189-207

Author(s):

J. Eugene Clay

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Subversive Imagery in Bruegel’s The Dirty Bride and Valentine and Orson

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115573 ◽

2018 ◽

pp. 135-154

Author(s):

Catherine Schultz McFarland

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The Intersubjective Performance of Confession vs. Courtly Profession

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115567 ◽

2018 ◽

pp. 1-16

Author(s):

Marisa Galvez

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Tracing Medieval Performance: The Visual Archive

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance ◽

10.1484/m.asmar-eb.5.115571 ◽

2018 ◽

pp. 93-109

Author(s):

Claire Sponsler

Keyword(s):

Medieval Performance

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Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the RenaissanceLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Brepols Publishers

Musical Performance in Lope de Vega’s La discordia en los casados [Discord between Spouses]

Staging the Thirty Years’ War: Jesuit Drama and the Politics of Duke Maximilian I of Bavaria, 1600–1625

A Case For Reperformance: Illustrations in the Istoire de la Destruction de Troie la Grant

The Spectacle of Sainthood: Performance and Politics of La Festa et Storia di Sancta Caterina in Siena

Performing Prudence in Sawles Warde and Chaucer’s Tale of Melibee

The Discourse about Gender Relationships on the Urban Stage in Late Medieval German Shrovetide Plays and Verse Narratives

Drama in the Service of Orthodoxy: Dimitrii of Rostov’s Theatrical Investigation of the Schism

Subversive Imagery in Bruegel’s The Dirty Bride and Valentine and Orson

The Intersubjective Performance of Confession vs. Courtly Profession

Tracing Medieval Performance: The Visual Archive

Arizona Studies in the Middle Ages and Renaissance - Performance and Theatricality in the Middle Ages and the Renaissance
Latest Publications