Figuration/Abstraction
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16

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Published By Routledge

9781315094083

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The advantages of abstract art: monoliths and erratic boulders as monuments and (public) sculptures

Figuration/Abstraction ◽

10.4324/9781315094083-7 ◽

2017 ◽

pp. 107-126

Author(s):

Christian Fuhrmeister

Keyword(s):

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The metamorphosis of Liberty: the monument to Hungarian liberation

Figuration/Abstraction ◽

10.4324/9781315094083-5 ◽

2017 ◽

pp. 69-84

Author(s):

Géza Boros

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Czechoslovak public sculpture and its context: from 1945 to the ‘Realizations’ exhibition, 1961

Figuration/Abstraction ◽

10.4324/9781315094083-3 ◽

2017 ◽

pp. 33-50

Author(s):

Marie Klimešová

Keyword(s):

Public Sculpture

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Introduction

Figuration/Abstraction ◽

10.4324/9781315094083-1 ◽

2017 ◽

pp. 1-9

Author(s):

Charlotte Benton

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Continuity: Max Bill’s public sculpture and the representation of money

Figuration/Abstraction ◽

10.4324/9781315094083-13 ◽

2017 ◽

pp. 231-249

Author(s):

Philip Ursprung

Keyword(s):

Public Sculpture

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Oskar Hansen, Henry Moore and the Auschwitz Memorial debates in Poland, 1958–59

Figuration/Abstraction ◽

10.4324/9781315094083-11 ◽

2017 ◽

pp. 193-211

Author(s):

Katarzyna Murawska-Muthesius

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Figuration and abstraction in Berlin in the 1960s: two modi in East–West art and art politics

Figuration/Abstraction ◽

10.4324/9781315094083-9 ◽

2017 ◽

pp. 147-168

Author(s):

Gabi Dolff-Bonekämper

Keyword(s):

The 1960S ◽

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National division as a formal problem in West German public sculpture: memorials to German unity in Münster and Berlin

Figuration/Abstraction ◽

10.4324/9781315094083-8 ◽

2017 ◽

pp. 127-146

Author(s):

Godehard Janzing

Keyword(s):

National Division ◽

Formal Problem ◽

Public Sculpture

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Biographies

Figuration/Abstraction ◽

10.4324/9781315094083-16 ◽

2017 ◽

pp. 291-318

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Document source acknowledgements

Figuration/Abstraction ◽

10.4324/9781315094083-15 ◽

2017 ◽

pp. 287-289

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