global modernity
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2022 ◽  
Author(s):  
Hatem N. Akil ◽  
Simone Maddanu

This book poses questions about viewing modernity today from the vantage point of traditionally disparate disciplines engaging scholars from sociology to science, philosophy to robotics, medicine to visual culture, mathematics to cultural theory, etc., including a contribution by Alain Touraine. From coloniality to pandemic, modernity can now represent a global necessity in which awareness of human and environmental crises, injustices, and inequality would create the possibility of a modernity-to-come.


Author(s):  
Simone Maddanu ◽  
Hatem N. Akil

Editors’ introductory chapter delineates common threads among the volume’s cross-disciplinary contributions and connects these to the history of research on modernity as well as the most compelling issues confronting us today. The introduction discusses how the pandemic carries on the possibility (threat?) of a tabula rasa condition, a civilizational detour based on a foundation of global awareness of nature and society. The authors support the need for global problem-solving strategies, new global ethics, and a global resource management paradigm solidly cognizant of the commons and redistribution. The introduction explores the main hiatuses in today’s modernity and provides an update to the necessary assertion of a global modernity in the midst of political, ecological, and health crises.


2022 ◽  
pp. 016224392110696
Author(s):  
Bertram Turner ◽  
Melanie G. Wiber

In introducing the contributions to this special section, we explore the links between social and juridical concepts of normativity and science and technology. We follow the Legal Pluralism challenge to the notion of state law as the sole source of normative order and point to how technological transformation creates a pluralistic legal universe that takes on new shapes under conditions of globalization. We promote a science and technology studies (STS)-inspired reworking of Legal Pluralism and suggest expanding the portfolio of legally effective regimes of ordering to include the normativity generated by materiality and technology. This normativity is amply demonstrated in the case studies included in the papers which make up this special section. We conclude that the inclusion of approaches developed in STS research helps analytically to overcome what we view as an incomplete law project, one unable to deal with the technicized lifeworlds of a global modernity. The contributions to this special section illustrate that technomaterial change cannot be understood without recognition of the role of normative impacts, and conversely, the legal pluriverse cannot be understood without recognition of the normative role of techno-material arrangements.


2021 ◽  
Vol 82 (4) ◽  
pp. 473-498
Author(s):  
Shaj Mathew

Abstract This essay proposes the theory of multiple simultaneous temporalities as a constitutive feature of global modernism. It spotlights varieties of heterogeneous time—outside but alongside the homogeneous empty time of clocks and calendars—in modernist literature. These overlapping temporalities replace the linear succession of past, present, and future with a principle of nonteleology. The multiple simultaneous temporalities of these works analogize the multiple simultaneous temporalities of global modernity. Thus the temporalization of difference that separates developed nations from developing ones is refuted by the pluralization of temporality. The simultaneity of these temporalities denies, a priori, the ideology of progress. The essay makes this point through a series of interlaced epiphanies about time, across time, staging an East-West comparison that reflects the creole nature of global modernity. It does so via readings of interconnected novels by Orhan Pamuk, Ahmet Hamdi Tanpınar, and Marcel Proust.


Author(s):  
Louise D'Arcens

World Medievalism: The Middle Ages in Modern Textual Culture explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present. Building its argument through four case studies—from the Middle East, France, Southeast Asia, and Indigenous Australia–it shows that to understand medievalism as a cultural idiom with global reach, we need to develop a more nuanced grasp of the different ways ‘the Middle Ages’ have come to signify beyond Europe as well as within a Europe that has been transformed by multiculturalism and the global economy. The book’s case studies are explored within a conceptual framework in which medievalism itself is formulated as ‘world-disclosing’—a transhistorical encounter that enables the modern subject to apprehend the past ‘world’ opened up in medieval and medievalist texts and objects. The book analyses the cultural and material conditions under which its texts are produced, disseminated, and received and examines literature alongside films, television programs, newspapers and journals, political tracts, as well as such material and artefactual texts as photographs, paintings, statues, buildings, rock art, and fossils. While the case studies feature distinctive localized forms of medievalism, taken together they reveal how imperial and global legacies have ensured that the medieval period continues to be perceived as a commonly held past that can be retrieved, reclaimed, or revived in response to the accelerated changes and uncertainties of global modernity.


2021 ◽  
Vol 13 (1-2) ◽  
pp. 1-18
Author(s):  
Anaïs Ménard ◽  
Maarten Bedert

Abstract This section introduction explores the imaginative dimension of mobility in two West African countries, Sierra Leone and Liberia. Building on literature that highlights the existential dimension of movement and migration, the authors explore three socio-cultural patterns that inform representations of im/mobility: historical continuities and the longue-durée perspective on mobile practices, the association of geographical mobility with social betterment, and the interaction between local aspirations and the imaginary of global modernity. The three individual contributions by Bedert, Enria and Ménard bring out the work of imagination attached to im/mobility both in ‘home’ countries and diaspora communities, and underline the continuity of representations and practices between spaces that are part of specific transnational social fields.


2021 ◽  
pp. 41-82
Author(s):  
Akshaya Kumar

This chapter weaves together historical geography and political ethnography, rendering provincial north India within an analytical reassembly. Drawing upon Chris Bayly’s Rulers, Townsmen and Bazaars (2012), along with other historians of South Asia, the chapter situates the north Indian province between empire and nation, contrasting the fluvial regime of colonial and postcolonial governments. It thus arrives at the question of flood-control embankments – and their frequent breaches – as an administrative allegory for the state in mid-Ganga plains of north India. It draws our focus to the role of embankments, as artefacts of administrative and engineering ‘solutions’ to a problem they only aggravated, established the character of state-society relations in the region, and forced a relentless wave of distress migration among the landless or small-landholding castes. The chapter argues that provincial India is dumped in a gulf and bypassed via the infrastructures of global modernity amplifying spatial, economic and infrastructural slippages, which underline the precarities of provincial life.


2021 ◽  
pp. 152-183
Author(s):  
Akshaya Kumar

This chapter shows that if seen from the film distribution-exhibition end, film history in India appears remarkably different from the iconic ‘family films’ which played in the premier theatres. It analyses the fringe exhibition sector, in which action, horror, sleaze genres flourished via dubbing, remakes, informal rehashing and insertion of pornographic ‘bits’. Situating the eruption of Bhojpuri cinema vis-a-vis these genres and their working-class patrons, the chapter establishes its continuity with the informal media economy of pirated disks, microSD data transfers and illegal settlements, all of which constitute the suboptimal transactions of Bhojpuri songs, music videos, films but also Hindi/Tamil/Telugu action films. Arguing that these transactions constitute the ‘meanwhile’ temporality of transitory urban settlements perpetually negotiating their legality with urban planners and administrators, the chapter situates a meanwhile subjectivity of the provincial migrants which remains sandwiched between the superhighways of global modernity and the crumbling infrastructures of provincial life.


2021 ◽  
pp. 004711782110456
Author(s):  
Andrew Dougall

This article explores the relationship between the 19th century ‘global transformation’ and the contemporary intensification of communication media through the lens of Greater Britain, a late-Victorian ordering imaginary centred on the integration of Britain and its white settler colonies. Contrary to existing conceptions of globe-spanning media as either components of ‘interaction capacity’ or boundary conditions that set broad outer limits for political thought, I advance an understanding of media as socio-technical and political structures in their own right and explore how they surface meanings and representations upon which imaginaries such as Greater Britain depended. The argument thereby contributes to IR debates on global modernity, communication media and the dynamics of historical change.


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