This book’s conclusion revisits what extraterritoriality means and the historical journey of different generations of filmmakers and spectators who tried to work through this problem by creating, theorising, defining, and defending Hong Kong cinema, television, and media.
The end of the previous chapter suggests that humanism is perhaps the answer to our political impasse. However, the mode of humanism that was widely promulgated by politicians and artists during and immediately after the Second World War (1939–45) had already failed and it turned out to be the beginning of the problematics that have produced the precarious milieu in which we live. This conclusion therefore proposes that we revisit what it means by being human while living with other human beings, by not re-territorialising any place or anybody, but by giving extraterritoriality a presence, a body. It argues that in Hong Kong, Mainland filmmakers who were exiled from their homeland use their films to explore and negotiate the means by which one can reclaim humanity.
