A likely representation of goiter in Antonio Canova’s Helen of Troy

2019 ◽  
Vol 42 (11) ◽  
pp. 1389-1390
Author(s):  
E. Varotto ◽  
F. M. Galassi
Keyword(s):  
1954 ◽  
Vol 199 (oct) ◽  
pp. 456-456
Author(s):  
Geoffrey Tillotson
Keyword(s):  

2020 ◽  
Author(s):  
Nurşen Çördük ◽  
Cüneyt Aki

Digitalis trojana Ivanina is a member of the Plantaginaceae family and known by its common name, Helen of Troy foxglove. It is perennial endemic to Çanakkale and Balıkesir, northwestern Turkey. In order to develop an efficient shoot regeneration protocol, the leaf explants of D. trojana were cultured on Murashige and Skoog (MS) medium containing 6-benzyl adenine (0.1, 0.5, 1.0, 3.0, 5.0 mg/L) and α-naphthalene acetic acid (0.1, 0.5, 1.0 mg/L), 3% (w/v) sucrose and 0.8% (w/v) agar. The highest number of regenerated shoots was obtained from leaf explants that were cultured on MS medium with 3.0 mg/L BA+0.1 mg/L NAA. Regenerated shoots were rooted on MS medium without plant growth regulators. Rooted plants (2–3 cm) were separately transferred to pots containing a mixture of peat and perlite (2:1 v/v) and acclimatized successfully in a growth chamber.


Author(s):  
Lowell Edmunds
Keyword(s):  

This introductory chapter undertakes a comparison between a folktale and a Greek myth. It attempts to define the folktale through two avenues concerning genre and terminology as well as mode of communication. Here, the chapter relates the folktale of “The Abduction of the Beautiful Wife” to the Greek epics such as the Iliad, eventually focusing the discussion on the story of Helen of Troy. To aid in the discussion, the chapter introduces the comparative circle, which begins from the perception of a similarity between the target text and some other text, and proceeds from this second text to a third and so forth, until the scholar constructing the circle decides to return to the explicandum.


2020 ◽  
pp. 434-484
Author(s):  
Andrew Kahn

Mandelstam wrote another set of poems marked by the contrast between love as a form of deep social feeling and love as a renunciation of the earthly. Poems that represent love as a social bond celebrate intimacy as friendship, showing a sense of ethical responsibility and protective consolation in a hostile world. Love as depicted here is, in the famous phrase of the Russian philosopher Vladimir Soloviev in On the Meaning of Love, ‘the justification and salvation of individuality through the sacrifice of egoism’. Other poems elevate love to a metaphysical category, reviving the use of archetype that Mandelstam favoured before 1918. But instead of troubled figures like Phaedra and Helen of Troy, the feminine ideal projected here takes the form of otherworldly angels who transcend death. Those visions of the eternal beloved complement the poet’s flight to safety described in the final poems of exile.


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