Absolute standardization of 195Au by β-γ coincidence counting

1969 ◽  
Vol 20 (11) ◽  
pp. 808-811 ◽  
Author(s):  
R.J. Adams
2021 ◽  
pp. 109707
Author(s):  
Maria Sahagia ◽  
Enric Leon Grigorescu ◽  
Aurelian Luca ◽  
Anamaria Cristina Wätjen ◽  
Constantin Ivan ◽  
...  

Cosmic ray measurements on mountains are limited in general to altitudes below about 4000 meters. Above this height Regener has made successful use of small balloons carrying self-recording apparatus, and occasional flights have been made with manned balloons by Piccard, Cosyns, and by American workers. Balloon experiments are, however, hardly practicable in this country, so we decided to investigate cosmic rays, and in particular the production of showers, using an aeroplane. Facilities for flying to a height of about 10 km. Were generously provided by the Air Ministry. Apparatus Two independent sets of three tube counters were used in conjunction with the usual coincidence counting circuits. The counters could be arranged in a vertical line to record vertical penetrating particles, or in a triangle to record showers. The triple coincidences were recorded by telephone counters which were photographed at intervals together with a clock and aneroid barometer. The detailed design of the apparatus required some consideration since the aeroplane available (the Vickers Vespa machine used for high altitude experiments at the Royal Aircraft Establishment) had an open observer’s cockpit in which the counting set had to be installed.


Author(s):  
Ke. Zhong ◽  
Haoran Liu ◽  
Qianqian Zhou ◽  
Juncheng Liang ◽  
Kezhu Song
Keyword(s):  

2021 ◽  
Author(s):  
Alain de Cheveigné

This paper suggests an explanation for listener’s greater tolerance to positive than negative mistuning of the higher tone within an octave pair. It hypothesizes a neu- ral circuit tuned to cancel the lower tone, that also cancels the higher tone if that tone is in tune. Imperfect cancellation is the cue to mistuning of the octave. The circuit involves two pathways, one delayed with respect to the other, that feed a coincidence-counting neuron via excitatory and inhibitory synapses. A mismatch between the time constants of these two synapses results in an asymmetry in sen- sitivity to mismatch. Specifically, if the time constant of the delayed pathway is greater than that of the direct pathway, there is a greater tolerance to positive than to negative mistuning, which can lead to a perceptual“stretch” of the octave. The model is applicable to both harmonic and – with qualification – melodic oc- taves. The paper describes the model and reviews the evidence from auditory psychophysics and physiology in favor – or against – it.


Sign in / Sign up

Export Citation Format

Share Document