Looking at New Trends and Policies in Latin American Art Education

Author(s):  
Belidson Dias ◽  
Irene Tourinho ◽  
Fernando Miranda ◽  
Olga Lucia Olaya Parra ◽  
Vanessá Freitag ◽  
...  
2014 ◽  
Vol 39 (4) ◽  
pp. 21-26
Author(s):  
Ranieli Piccinini

In 2006, Daros Latinamerica – one of the most comprehensive collections dedicated to Latin American contemporary art in the world – acquired a building, designed by the architect Francisco Joaquim Bethencourt da Silva (1831-1912) and listed as official historical heritage of the city of Rio de Janeiro. After seven years of refurbishment, Casa Daros and its library opened its doors on 23 March 2013. The library has maintained and improved its collection about contemporary Latin American art – considered unique in the region – ever since, with a view to motivating and increasing the amount of research on the subject in Brazil. At the same time, the library team plays an important role in the preparation of the programming planned in the cultural centre – considered a platform for art, education, and communication – and also during the events at Casa Daros, providing support for the researchers’ needs.


ARTMargins ◽  
2014 ◽  
Vol 3 (2) ◽  
pp. 31-59
Author(s):  
Carla Macchiavello

This paper centers on the problem of influence in Latin American art analyzing some of the changes its conceptualization underwent during the 1970s and 1980s. Taking the case of Chilean conceptual practices during Augusto Pinochet's dictatorship known as “escena de avanzada,” particularly the art actions of the collective CADA, and the isolationist discourses woven around it, this article attempts to reconnect what has been regarded as original political art forms to larger networks of relations where the question of what is proper to Latin American art was disputed.


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