Some four hundred years ago this month Stephen Limbert, master of Norwich School, stood before the gates of the Great Hospital and addressed his well-turned Latin phrases to an audience almost as eminent as that gathered here today. Elizabeth I and her mobile summer court were on progress, and Norwich, the second city of the kingdom and capital of a region that was both the agricultural and manufacturing heartland of England, was determined to impress its monarch with both its loyalty to the Tudor dynasty and its contribution to the common weal—so it hired an impecunious London hack, sometime soldier and court hanger-on, Thomas Churchyard, to write the script. In part, at least, this no doubt accounts for the frequently reiterated commonplaces of Elizabethan propaganda embodied in such of those pageants and speeches as survived the intermittent downpours that sent both Her Majesty and her municipal hosts scurrying for cover on more than one occasion during her visit. Neither did Master Limbert's disquisition differ in its enthusiasm for Elizabethan rule from those of his metropolitan confrère. ‘It is reported’, he told Her Majesty, ‘that Aegypte is watered with the yerely overflowing of the Nilus, and Lydia with the golden streame of Pactolus, whyche thing is thought to be the cause of the greate fertilytye of these countries: but uppon us, and farther, over all Englande, even into the uttermoste borders, many and maine rivers of godlynesse, justice and humilitie, and other inumerable good things … do most plentifully gush out … from that continuall and most aboundaunt welspring of your goodnesse … With what prayses shall wee extoll, with what magnificent wordes shall we expresse, that notable mercie of your Highnesse, most renowned Queene’, sentiments that earned the former Norwich schoolmaster the Queen's invitation to kiss her ungloved hands, and sentiments that direct our attention to the symbols and image-creating aspects of the political culture of renaissance England.