The Returns of the Roman de la terre: Défricheurs and Other Migrants in the Canadien Colonial Imaginary

2021 ◽  
Vol 25 (3) ◽  
pp. 287-295
Author(s):  
Alvin Y. Chuan
Keyword(s):  
2003 ◽  
Vol 34 (4) ◽  
pp. 1232
Author(s):  
Sanjay Subrahmanyam ◽  
Shankar Raman

2021 ◽  
Vol 16 ◽  
pp. 55-73
Author(s):  
Maria Carolina Vesce

In Naples, as in several other cities of the Campania region (Italy), the word femminiello/femminella “traditionally” refers to effeminate men who behave and act as women. In the last decade femminielli/femminelle were the subject of a true heritagization process, intended to enhace and capitalize their “ancient identity”, now considered on the verge of extinction. Nonetheless, still today, people who self-identify as femminiello/femminella embody an “old-fashioned way” ideal of femininity, sometimes claiming the specificity of their local identity, and distancing themselves from the LGBTQI+ representations and identities. Based on the data collected during a long term fieldwork in Campania, this essay focuses on the processes of production, reproduction and manipulation of the femminielli/femminelle’ identities. More specifically by crossing literature and field notes, I will propose an analysis of the interactions between an orientalist and colonial imaginary that “produces” the femminiello/femminella as otherness (southern) and the reversal that occurs with the distinctive claim of gender experiences embodied by people who still identify as femminielli/femminelle. How do these imaginaries interact? And what implicit stereotypes lurk in such representations?


2021 ◽  
pp. 180-197
Author(s):  
Rachael Langford

The shoe in European colonial societies bears a particular weight of symbolism, for amongst the myriad object of the colonial imaginary, the coloniser’s emblematic dichotomies of civilised/uncivilised, white/native also found their expression in the shoe as another means of distinguishing the shod scion of civilisation from the subhuman, barefoot native. Thus, shoes in the imaginary of European colonial societies were objects of desire, anxiety, and phantasm; and the footprints of the past’s colonial shoe fetish can be uncovered in the attention accorded to shoes in the visual cultures of post-Independence, postcolonial societies too. This essay will look at a selection of post-Independence African films to explore how African filmmakers’ imaging of shoes responds to these past histories and present traces of colonial and postcolonial calciphilia.


Antipode ◽  
2015 ◽  
Vol 47 (5) ◽  
pp. 1161-1183 ◽  
Author(s):  
Sophie Bond ◽  
Gradon Diprose ◽  
Andrew McGregor
Keyword(s):  

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