The construction of whiteness: an interdisciplinary analysis of race formation and the meaning of a white identity

2019 ◽  
Vol 12 (5) ◽  
pp. 543-544
Author(s):  
Eric Stoddart
2003 ◽  
Author(s):  
Phillip Atiba Goff ◽  
Claude M. Steele ◽  
Paul G. Davies

Author(s):  
Alison LaGarry ◽  
Timothy Conder

This chapter, “How ‘Identity Play’ Protects White Privilege: A Meta-Ethnographic Methodological Test,” presents the findings of a 2013 meta-ethnographic analysis on White identity in preservice teachers (PSTs), as well as a methodological test of those findings in light of recent publications on Second-Wave White Teacher Identity Studies (SWWTIS). In the 2013 meta-ethnography, the authors first found a reciprocal argument in which the authors described similar tools or strategies by which White PSTs defended their own privilege. Through further reflexive interpretation, the authors then found a line of argument that situated the multiple theories used in the studies as contested spaces in a larger figured world of whiteness. In testing findings from 2013 against recently published studies on SWWTIS, the authors found that the earlier study anticipated a shift in thinking and theorizing within the field.


Contexts ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 72-73
Author(s):  
Woody Doane

The author examines The Politics of Losing: Trump, The Klan, and the Mainstreaming of Resentment by Rory McVeigh and Kevin Estepwere in investigating the changing terrain of White “identity politics.”


The Forum ◽  
2020 ◽  
Vol 18 (2) ◽  
pp. 287-290
Author(s):  
Jennifer L. Merolla

2021 ◽  
pp. 095715582110074
Author(s):  
Siv B Lie

Django Reinhardt: Swing de Paris, an exhibition that took place at the Cité de la musique in Paris, depicted the life and environment of famed Manouche (French Romani/”Gypsy”) guitarist Django Reinhardt. In this article, I explore how the exhibition performed a spatialized centre-periphery model of citizenship that both reflected and reinforced Manouche marginality in relation to broader French society. I argue that museum exhibitions generate and harness place-oriented narratives to reinforce hegemonic conceptions about ideal citizens. In marking out an ethnoracially segregated imaginary of swing-era Paris, the exhibition reproduced stereotyped ideas about Manouche exoticism and inadaptability to urban modernity. These narratives are not exceptional, but are part of a long-standing project to define national belonging in terms of a normative white identity. As such, they are symptomatic of a much broader problem of state-sanctioned racism in France that is denied through claims to colour-blindness.


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