James Stewart: the trouble with urban modernity in Vertigo and Liberty Valance.

Table of Contents Introduction: Post-War Stewart and the Dark Turn in Hollywood -- Chapter 1: Vertigo: An Architecture for Double Vision -- Chapter 2: Liberty Valance: Masculine Anxiety in the Cinematic "Wild West".

Images On The Street : Fashion, Personal Style, And The Sartorialist

Drawing on urban modernity and subcultures, the street photography of the online site, The Sartorialist, is interpreted within a history of everyday style on the streets (or "streetstyle") since the mid-twentieth century. The paper argues that, as a digital archive of streetstyle, The Sartorialist creates a convincing portrait of the mythic notion of self-invention through fashion by tying style to a variety of elements of the real. Through a distant reading of the archive and semiotic analysis of the images, the underlying structures of meaning-making on the site are revealed. Through a condensation of Nancy's theory of the image and Benjamin's conception of the wish in the dream, I argue that The Sartorialist both validates and highlights the ultimate limitations of the urban project of fashion and encourages a particular way of looking at the world.

Images On The Street : Fashion, Personal Style, And The Sartorialist

Drawing on urban modernity and subcultures, the street photography of the online site, The Sartorialist, is interpreted within a history of everyday style on the streets (or "streetstyle") since the mid-twentieth century. The paper argues that, as a digital archive of streetstyle, The Sartorialist creates a convincing portrait of the mythic notion of self-invention through fashion by tying style to a variety of elements of the real. Through a distant reading of the archive and semiotic analysis of the images, the underlying structures of meaning-making on the site are revealed. Through a condensation of Nancy's theory of the image and Benjamin's conception of the wish in the dream, I argue that The Sartorialist both validates and highlights the ultimate limitations of the urban project of fashion and encourages a particular way of looking at the world.

James Stewart: the trouble with urban modernity in Vertigo and Liberty Valance.

Table of Contents Introduction: Post-War Stewart and the Dark Turn in Hollywood -- Chapter 1: Vertigo: An Architecture for Double Vision -- Chapter 2: Liberty Valance: Masculine Anxiety in the Cinematic "Wild West".

The coloniality of infrastructure: Engineering, landscape and modernity in Recife

Geographical scholarship has, since the late 1990s, shown how infrastructure was central to the making of urban modernity and the metabolic transformation of socio-natures. Meanwhile, the work of Latin American scholars including Aníbal Quijano and Maria Lugones has focussed attention on the imbrications between modernity and coloniality, in particular through the international racial division of labour. Moving between these ideas, I argue that there is intellectual and political ground to be gained by specifically accounting for the coloniality of infrastructure, in both its material and epistemic dimensions. I ground the analysis in the history of Recife, Northeast of Brazil, analyzing the role of British engineering in the production of the city's landscape and infrastructure, and address the epistemic dimensions of the coloniality of infrastructural by exploring infrastructural spectacle in 1920s Recife. Finally, I explore how the coloniality of infrastructure directs our attention to race, labour and finance.