Crossing the Double-Cross: The Practice of Feminist Criticism. Elizabeth A. MeeseFelicitous Space: The Imaginative Structures of Edith Wharton and Willa Cather. Judith Fryer

Signs ◽  
1988 ◽  
Vol 13 (4) ◽  
pp. 854-856
Author(s):  
Liahna Babener
Keyword(s):  
Willa Cather ◽  
Edith Wharton ◽  
Feminist Criticism ◽  
Double Cross

The Faith of our Feminists: A Study in the Novels of Edith Wharton, Ellen Glasgow, Willa Cather.

1951 ◽  
Vol 23 (2) ◽  
pp. 262
Author(s):  
H. Blair Rouse ◽  
Josephine Lurie Jessup
Keyword(s):  
Willa Cather ◽  
Edith Wharton ◽  
Ellen Glasgow

scholarly journals F. Scott Fitzgerald and Willa Cather, via Edith Wharton

2018 ◽  
Author(s):  
Cristina Giorcelli
Keyword(s):  
Women Writers ◽  
New Woman ◽  
Willa Cather ◽  
Edith Wharton ◽  
The New Woman ◽  
Song Of The Lark

In The Beautiful and Damned several intertextual references to Willa Cather’s The Song of the Lark and to Edith Wharton’s The Custom of the Country occur: this essay explores those regarding the New Woman, the flapper. Harshly criticised by the two women writers, she is more nuanced in Fitzgerald’s second novel.

Felicitous Space: The Imaginative Structures of Edith Wharton and Willa Cather

1987 ◽  
Vol 6 (2) ◽  
pp. 355
Author(s):  
Celia Patterson ◽  
Judith Fryer
Keyword(s):  
Willa Cather ◽  
Edith Wharton

Felicitous Space: The Imaginative Structures of Edith Wharton and Willa Cather.

1989 ◽  
Vol 61 (1) ◽  
pp. 117
Author(s):  
Ellen Powers Stengel ◽  
Judith Fryer
Keyword(s):  
Willa Cather ◽  
Edith Wharton
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