Chinese Architecture and the Beaux-Arts, edited by Jeffrey W. Cody, Nancy S. Steinhardt and Tony Atkin. Honolulu: University of Hawai’i Press; Hong Kong: Hong Kong University Press, 2010. xxii + 385 pp. US$52.00/HK$395.00 (hardcover).

2012 ◽  
Vol 67 ◽  
pp. 216-217
Author(s):  
Tracy Miller
2002 ◽  
Vol 172 ◽  
pp. 1065-1103
Author(s):  
Adalberto Tenreiro

This book demonstrates Jeffrey Cody's affection for Henry Murphy's use and promotion of the traditions of Chinese architecture. Murphy combined the traditional Chinese characteristics of elevation, roof form and axial symmetry with contemporary technologies in order to achieve “structural significance” and “purity of form and colour.” He achieved this during long periods spent in China where he brought together teams of American and Chinese-American architects while taking special care with clients and contractors.


2009 ◽  
Vol 27 (3) ◽  
pp. 287-298 ◽  
Author(s):  
Yunyan Andrea Jia ◽  
Steve Rowlinson ◽  
Thomas Kvan ◽  
Helen Clare Lingard ◽  
Brenda Yip

Author(s):  
KW Chau ◽  
Lawrence WC Lai ◽  
Mark H Chua

Based on government appointed specialists’ (Antiquities Advisory Board or AAB’s) assessments of the heritage value of more than 1400 heritage items in the Hong Kong Special Administrative Region, we found no evidence of nationalistic bias against British or Japanese built military heritage buildings and structures after the handover of Hong Kong to China in July 1997. We also found no evidence of bias in favour of imperial Chinese architecture in the postcolonial period. Incidentally, we found some evidence that suggests AAB’s assessments of heritage value for military heritage buildings and structures have increased while those for imperial Chinese architecture have decreased after 1997, which is somewhat puzzling and merits further investigation. The reasons for the results are discussed in terms of the governance of the AAB as a government appointed committee.


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