Bach the Organist

Bach ◽  
2020 ◽  
pp. 43-72
Author(s):  
David Schulenberg

Bach’s duties as a Lutheran church organist included “preluding” on chorale (hymn) melodies and maintaining instruments. At Arnstadt Bach must also have been expected to accompany singers both at court and in church, and during these years he also carried out organ “tests.” It is unknown whether he wrote any vocal compositions at Arnstadt, but he doubtless wrote much keyboard music and developed his organ technique during these years. Compositions examined in this chapter include chorale preludes and praeludia (preludes and fugues), as well as the great Passacaglia for organ and several vocal works (cantatas) probably performed at Mühlhausen, including the so-called Actus tragicus.

Bach ◽  
2020 ◽  
pp. 149-193
Author(s):  
David Schulenberg

As Capellmeister, Bach was in charge of all musical matters at the court of Cöthen. Although the prince’s Reformed religious faith ruled out the performance of church cantatas, Bach did compose occasional vocal works for special occasions. His chief works of this period, however, were suites, sonatas, and concertos for the court instrumental ensemble, as well as keyboard music for his family and pupils. Among the famous compositions composed or completed at Cöthen and discussed in this chapter are the inventions, Well-Tempered Clavier, organ sonatas, cello suites, sonatas and partitas for violin and flute, and Brandenburg Concertos.


Bach ◽  
2020 ◽  
pp. 32-42
Author(s):  
David Schulenberg

Bach’s first significant professional positions were as organist at Arnstadt and Mühlhausen. The first was a courtly residence town, the second a larger free city. His years at both must have been pivotal for his development as both organist and composer. They also saw his first marriage, to Maria Barbara Bach, and an extended trip to Lübeck where he encountered the music of Buxtehude. If by then he was not already composing prolifically, with the works of the next few years he established himself as one of Germany’s most original young composers of keyboard music, and during his brief time at Mühlhausen he also produced several impressive vocal works. During the same period, however, a confrontation with the Arnstadt authorities left him unscathed but was a harbinger of future tensions with employers.


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