Lord’s Space in Seventeenth-Century Britain

This chapter discusses the ‘Lord’s space’, which refers to the space (or notional space) round a feudal lord, especially a sovereign prince—or, indeed, space symbolically associated with the Lord God. It focuses on literary examples, particularly plays and masques, which were undoubtedly designed in part to assert through their display the prince’s greatness, even if they contained specific contents of an advisory or controversial nature. France and Britain in the seventeenth century are apparently to be regarded as ‘theatre states’. In the late sixteenth and early seventeenth century, the dominant symbol of nature had become the theatre. In the midst of all the significant theatricality, a prince’s location, both in the cosmic or intellectual and in the material theatre, must be a matter of moment. The prince required to be the cynosure of all the looking, so that theatres must be constructed accordingly. That was possible, because in the early seventeenth century court theatres were hardly ever permanent buildings, but rather temporary facilities, usually erected for a single performance, perhaps in a hall of Whitehall Palace that also served many other functions. The chapter then considers the hierarchic ordering of objects and people that had long governed the visual imagination of medieval people.