scholarly journals Music conductor gesture recognized interactive music generation system

Author(s):  
Shuai Chen ◽  
Yoichiro Maeda ◽  
Yasutake Takahashi
Author(s):  
Shuai Chen ◽  
◽  
Yoichiro Maeda ◽  
Yasutake Takahashi

In research on interactive music generation, we propose a music generation method in which the computer generates music under the recognition of a humanmusic conductor’s gestures. In this research, generated music is tuned by parameters of a network of chaotic elements which are determined by the recognized gesture in real time. The music conductor’s hand motions are detected by Microsoft Kinect in this system. Music theories are embedded in the algorithm and, as a result, generated music is richer. Furthermore, we constructed the music generation system and performed experiments for generating music composed by human beings.


2021 ◽  
Author(s):  
Kaiwen Xue ◽  
Zhixuan Liu ◽  
Jiaying Li ◽  
Xiaoqiang Ji ◽  
Huihuan Qian

Author(s):  
Prof. Amita Suke ◽  
Prof. Khemutai Tighare ◽  
Yogeshwari Kamble

The music lyrics that we generally listen are human written and no machine involvement is present. Writing music has never been easy task, lot of challenges are involved to write because the music lyrics need to be meaningful and at the same time it needs to be in harmony and synchronised with the music being play over it. They are written by experienced artist who have been writing music lyrics form long time. This project tries to automate music lyrics generation using computerized program and deep learning which we produce lyrics and reduce the load on human skills and may generate new lyrics and a really faster rate than humans ever can. This project will generate the music with the assistance of human and AI


IARJSET ◽  
2019 ◽  
Vol 6 (5) ◽  
pp. 47-54
Author(s):  
Sanidhya Mangal ◽  
Rahul Modak ◽  
Poorva Joshi

Leonardo ◽  
2014 ◽  
Vol 47 (3) ◽  
pp. 260-261
Author(s):  
Roger T. Dean

Serial music, which is mainly non-tonal, superimposes compositional freedom onto an unusually rigorous process of pitch-sequence transformations based on ‘tone rows’: a row is usually a sequence of notes using each of the 12 chromatic pitches once. Compositional freedom comprises forming chords from the sequences, and in multi-strand music, also in simultaneously presenting different segments of pitch-sequences. The present project coded a real-time serial music composer for automatic or interactive music performance. This Serial Keyboardist Collaborator can perform keyboard music which is impossible for a human to realize. Surprisingly, it was also useful in making more tonal music based on the same rigorous pitch-sequence generation.


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