The Intraparietal Sulcus and Perceptual Organization

2005 ◽  
Vol 17 (4) ◽  
pp. 641-651 ◽  
Author(s):  
Rhodri Cusack

The structuring of the sensory scene (perceptual organization) profoundly affects what we perceive, and is of increasing clinical interest. In both vision and audition, many cues have been identified that influence perceptual organization, but only a little is known about its neural basis. Previous studies have suggested that auditory cortex may play a role in auditory perceptual organization (also called auditory stream segregation). However, these studies were limited in that they just examined auditory cortex and that the stimuli they used to generate different organizations had different physical characteristics, which per se may have led to the differences in neural response. In the current study, functional magnetic resonance imaging was used to test for an effect of perceptual organization across the whole brain. To avoid confounding physical changes to the stimuli with differences in perceptual organization, we exploited an ambiguous auditory figure that is sometimes perceived as a single auditory stream and sometimes as two streams. We found that regions in the intraparietal sulcus (IPS) showed greater activity when 2 streams were perceived rather than 1. The specific involvement of this region in perceptual organization is exciting, as there is a growing literature that suggests a role for the IPS in binding in vision, touch, and cross-modally. This evidence is discussed, and a general role proposed for regions of the IPS in structuring sensory input.

Neuroreport ◽  
2004 ◽  
Vol 15 (9) ◽  
pp. 1511-1514 ◽  
Author(s):  
Susann Deike ◽  
Birgit Gaschler-Markefski ◽  
André Brechmann ◽  
Henning Scheich

2012 ◽  
Vol 107 (9) ◽  
pp. 2366-2382 ◽  
Author(s):  
Yonatan I. Fishman ◽  
Christophe Micheyl ◽  
Mitchell Steinschneider

The ability to detect and track relevant acoustic signals embedded in a background of other sounds is crucial for hearing in complex acoustic environments. This ability is exemplified by a perceptual phenomenon known as “rhythmic masking release” (RMR). To demonstrate RMR, a sequence of tones forming a target rhythm is intermingled with physically identical “Distracter” sounds that perceptually mask the rhythm. The rhythm can be “released from masking” by adding “Flanker” tones in adjacent frequency channels that are synchronous with the Distracters. RMR represents a special case of auditory stream segregation, whereby the target rhythm is perceptually segregated from the background of Distracters when they are accompanied by the synchronous Flankers. The neural basis of RMR is unknown. Previous studies suggest the involvement of primary auditory cortex (A1) in the perceptual organization of sound patterns. Here, we recorded neural responses to RMR sequences in A1 of awake monkeys in order to identify neural correlates and potential mechanisms of RMR. We also tested whether two current models of stream segregation, when applied to these responses, could account for the perceptual organization of RMR sequences. Results suggest a key role for suppression of Distracter-evoked responses by the simultaneous Flankers in the perceptual restoration of the target rhythm in RMR. Furthermore, predictions of stream segregation models paralleled the psychoacoustics of RMR in humans. These findings reinforce the view that preattentive or “primitive” aspects of auditory scene analysis may be explained by relatively basic neural mechanisms at the cortical level.


2001 ◽  
Vol 151 (1-2) ◽  
pp. 167-187 ◽  
Author(s):  
Yonatan I. Fishman ◽  
David H. Reser ◽  
Joseph C. Arezzo ◽  
Mitchell Steinschneider

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