Radicalism in Lessing’s Domestic Drama (Miss Sara Sampson, Minna von Barnhelm, and Emilia Galotti)

2018 ◽  
pp. 131-162
Monatshefte ◽  
2004 ◽  
Vol XCVI (1) ◽  
pp. 40-61
Author(s):  
J. R. J. Eyck ◽  
K. Arens

2021 ◽  
pp. 1329878X2110303
Author(s):  
Anna Potter ◽  
Amanda D. Lotz

This article analyses how digitisation and screen policy reform altered the production of domestic drama and children’s programmes in Australia. Focusing on dynamics that developed before widespread use of streaming services, it maps the disruptions and evolution that digital ‘multi-channels’ caused and how they challenged audiovisual policy frameworks intended to safeguard local television including drama on advertiser-funded broadcasters. The article reveals how the effects of fragmentation undermined commercial television’s business model and eroded investment in scripted content. Shifting policy priorities also brought new support mechanisms for local programmes and led to adjustments to the ABC’s drama funding practices, with significant effects on the form, content, and cultural visibility of Australian drama. This initial stage of digital disruption – spanning roughly 2001–2014 – is often overlooked but is crucial for appreciating the challenges facing Australian television drama production in the 2020s.


Neophilologus ◽  
2007 ◽  
Vol 92 (4) ◽  
pp. 667-679
Author(s):  
Romira Worvill
Keyword(s):  

1870 ◽  
Author(s):  
Gotth. Ephr. Lessing
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document