scholarly journals Performance Review: The Duchess of Malfi by John Webster

Author(s):  
Susanne Greenhalgh
ELH ◽  
2012 ◽  
Vol 79 (4) ◽  
pp. 851-877 ◽  
Author(s):  
Margaret E. Owens

1998 ◽  
Vol 28 ◽  
pp. 312
Author(s):  
Janette Dillon ◽  
John Webster ◽  
David Gunby ◽  
David Carnegie ◽  
Antony Hammond

Author(s):  
Anasuya Adhikari ◽  
Dr. Birbal Saha

The Duchess of Malfi by John Webster speculates into the tradition of Elizabethan marriage, laws regarding marriage, its violation and the consequences it brings. The drama continues to reverberate among today’s audiences because of the majestic appeal of the Duchess and her enterprising tryst at rebuffing the ‘authority of social conventions and norms’. The Duchess has been credited for her attempt and bravery to choose and win over a spouse for love. Wedding, one of the most important moment of a woman’s life, was seen from a completely different perspective, temperament and in a ‘non-secular’ impression. The woman during the Elizabethan age had absolutely no choice in selecting her prospective groom. Women were seen subservient to men. Elizabethan woman were raised to believe that they were inferior to men and that they must abide by ‘the other’s verdicts’. Disobedience was a crime against religion and the consequences were monstrous. Webster uses majestic traits to exemplify the Duchess’ feminine strength of virtuosity and greatness which instil in the modern audience’s empathy and respect for the Duchess. This paper tries to revisit The Duchess of Malfi, decoding these socio-cultural and religious perspective and the ways of the aristocracy used by Webster, contributing to the eventual downfall of the Duchess. This paper also delves deep into documenting Webster’s attempt to portrays her as a tragic heroine and victim of law. KEYWORDS: The Duchess of Malfi, John Webster, Elizabethan marriage laws, Violation of laws, Tragedy


2009 ◽  
Vol 32 (3) ◽  
pp. 77-79
Author(s):  
David Gunby (book editor) ◽  
David Carnegie (book editor) ◽  
Anthony Hammond (book editor) ◽  
R. B. Parker (review author)

1997 ◽  
Vol 28 (2) ◽  
pp. 539
Author(s):  
Kathryn Murphy Anderson ◽  
John Webster ◽  
David Gunby ◽  
David Carnegie ◽  
Antony Hammond ◽  
...  

1997 ◽  
Vol 28 (3) ◽  
pp. 906
Author(s):  
Kathryn Murphy Anderson ◽  
John Webster ◽  
David Gunby ◽  
David Carnegie ◽  
Anthony Hammond ◽  
...  

1967 ◽  
Vol 8 (2) ◽  
pp. 67-83 ◽  
Author(s):  
Frank W. Wadsworth

In his introduction to the excellent Revels edition of The Duchess of Malfi John Russell Brown provides a brief, updated stage history of John Webster's best known tragedy. Although Brown does much to correct the impression that Samuel Phelps' nineteenth-century revival was unsuccessful, even he does not fully indicate the Duchess' popularity during the twenty-five years following the Sadler's Wells performance of November 20, 1850. Nor does the statement of Don D. Moore in John Webster and His Critics 1617–1964 that “only in the mid-twentieth century—and then infrequently— has Webster on the stage been acceptable” help to correct the traditional misconception.


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