scholarly journals La figura de la Film Commission en la puesta en valor de los recursos audiovisuales técnicos y profesionales de un territorio en España

2019 ◽  
Vol 1 ◽  
pp. 113-132
Author(s):  
Isabel Sarabia Andúgar ◽  
Josefina Sánchez Martínez

The interest in turning a territory into a setting for the filming of cinematographic audiovisual productions, television series or any other type of audiovisual product, constitutes the main engine of the start-up of a Film Office or Film Commission in any locality, region, province or region.The mission of a filming office is to highlight, not only the benefits of landscapes, monuments, climate of a territory or the ability of its people to host filming equipment (logistics, predisposition of citizens), but also to give visibility to the technical and human audiovisual resources with which a shooting team arrived in a locality could count on in that environment.This research aims to study the figure of the Film Commission and its contribution to the dynamization of production in a territory through the enhancement of the local audiovisual sector -companies and specialized technicians- as an attractiveness of the territory.

Author(s):  
Rhonda V. Wilcox

Buffy the Vampire Slayer is an American television series (1997–2003). Its first incarnation was as a movie (1992) that received mediocre reviews. The film’s writer, Joss Whedon, had the unexpected opportunity to transfer the work to television as part of the fledgling WB network. (Its last two seasons were on UPN.) The series soon garnered high critical praise and devoted viewers, though their numbers were only large in the context of a start-up network, where it was, however, allowed greater creative freedom. The show became culturally significant beyond its immediate fanbase. Buffy became famous for its gender politics: the main character reverses the usual horror trope of the young beauty killed by a monster. Buffy, whose slight stature belies her strength, derives from a long line of female Slayers, only one of whom exists in any generation. However, Buffy’s attractiveness comes in part from her flaws: she is constantly torn between her duties and her desire for a normal life. The California small-town setting suggests the darkness underlying suburbia: Sunnydale sits on a Hellmouth, where monsters converge. Each monstrous encounter is not only an adventure and a test of strength and ethics, but also symbolizes problems faced in reality, the “high school is hell” metaphor central to the show. Buffy is aided by a geeky but loyal boy, Xander; a shy computer whiz (and later witch), Willow; a book-smart mentor, Giles; a vampire seeking redemption, Angel (soon Buffy’s forbidden love); this group later expands to include others. A main theme is the idea of chosen family or working in community rather than fighting alone. Immediately admired for its witty dialogue (known as Buffyspeak or Slayer Slang), the show gradually explored more and more complex problems through building continuity of narrative, which reflects the classic hero’s journey but also involves many other storylines. Buffy is noteworthy for having the first long-running romance between two lesbian characters on network television; one of the two lovers is murdered, setting off a supernatural rampage by the survivor, Willow (and fan indignation). In the final episode Buffy shares her power around the world with Willow’s help. Buffy has a television spin-off, Angel (1999–2004) and continues in comic book form with Season Eight and more; some do not consider the comics canonical. Buffy spawned numerous online discussion forums. With its aesthetic and cultural value, Buffy has accrued more scholarly writing than any other television series.


2020 ◽  
Vol 182 (3) ◽  
pp. 38-46
Author(s):  
Piotr Michalak ◽  
Jerzy Merkisz ◽  
Włodzimierz Stawecki ◽  
Maciej Andrzejewski ◽  
Paweł Daszkiewicz

The paper aims to present a generating set selection methodology for a modernized diesel locomotive. An analysis of the number of rolling stock, with particular emphasis on the number of diesel locomotives owned by national carriers was performed. Based on the popularity of the locomotives operated on Polish railways, the TEM2 locomotive was chosen to be the base reference for the modernized 19D locomotive described in the paper. The scope of the locomotive's modernization was described. Modernization included: replacement of the internal combustion engine, replacement of the generator set, installation of a new braking system with a pneumatic board and air preparation and treatment system, application of a modern control and diagnostics system with anti-slip system at start-up and braking, and the installation of railway traffic safety devices.


1990 ◽  
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2010 ◽  
Author(s):  
Bora Lee ◽  
Elke Schroder ◽  
Rainer Silbereisen
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