Fermenting Communications: Fermentation Praxis as Interspecies Communication

Public ◽  
2019 ◽  
Vol 31 (59) ◽  
pp. 149-157
Author(s):  
Maya Hey

Microbes are in, on, and around us at all times, yet we cannot easily communicate with them. How do we (continue to) live with microbial life in ways that allow for our mutual thriving? Using a performative lens, this paper analyzes the material practices of fermentation as a way of connecting with different scales of life. It attempts to challenge conventional understandings of communications (e.g. encoding/decoding models put forth by Stuart Hall) by examining the layered manner in which fermentation engages with matter and meaning. The material practices of fermentation require embodied knowledge to work with microbial life, and the discursive considerations of fermentation challenge anthropocentric thought. Thus, materially and discursively, fermentation functions as a continual form of engagement. Thought of as a form of communication, fermentation helps us to consider some of the invisible relations we have with microbes and connect with micro-species we often take for granted.

Author(s):  
La Vaughn Belle

This article is written by one of the co-creators of the monumental public sculpture entitled I Am Queen Mary that was done in collaboration with Jeannette Ehlers. Inaugurated on March 31, 2018 the project is the first collaborative sculpture to memorialize Denmark’s colonial impact in the Caribbean and those who fought against it. The essay traces the beginning of the collaboration as a transatlantic conversation that prompted the development of two separate ideas and articulates how the monument represents a point of convergence of the artistic practices of both Belle and Ehlers. Moreover, the essay highlights how the conjoining of the original monument projects created various conversations and tensions around colonial structures and visibility. By entering the work through its coral stone base, it uses the acropodia as a conceptual framework to discuss the hidden infrastructures of coloniality and how - through lowering the gaze and other sensorial shifts - a new kind of embodied knowledge can be gained. The article employs Kevin Quashie’s ideas around the aesthetics of quiet as a way to not only think differently about resistance and blackness as only exterior phenomena, but to consider the power and complexity of interiority. By extension, offering up a similar lense to view the inner life of coloniality, the article discusses how through the acropodia in I Am Queen Mary the invisible structures and labor of not only colonial systems, but the monument itself, can be made transparent.


2006 ◽  
Vol 37 (2) ◽  
pp. 14
Author(s):  
ALAN ROCKOFF
Keyword(s):  

1987 ◽  
Vol 32 (1) ◽  
pp. 87-87
Author(s):  
No authorship indicated
Keyword(s):  

1993 ◽  
Vol 38 (5) ◽  
pp. 508-509
Author(s):  
Karen L. Tucker
Keyword(s):  

2006 ◽  
Author(s):  
Boris B. Baltes ◽  
Marcus W. Dickson
Keyword(s):  

Nature ◽  
2014 ◽  
Author(s):  
Alexandra Witze
Keyword(s):  

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