scholarly journals Pedro Costa: The man (the circumstances) and his work

2021 ◽  
Vol 8 (2) ◽  
pp. 297-301
Author(s):  
André Rui Graça
Keyword(s):  
Contemporary Art ◽  
Art Cinema

Book review of "The Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema", by Nuno Barradas Jorge.

scholarly journals “Outside the Box” – Another View on Modern and Contemporary Art.” Book Review: Nikola Dedić, Između dela i predmeta: Majkl Frid i Stenli Kavel između moderne i savremene umetnosti [Between Artwork and Object: Michael Fried and Stanley Cavell Between Modern and Contemporary Art], Beograd: Fakultet za medije i komunikacije, Univerzitet Singidunum, 2017.

2018 ◽  
Author(s):  
Jelisaveta Mojsilović
Keyword(s):  
Media Studies ◽  
Contemporary Art ◽  
Stanley Cavell ◽  
Outside The Box

Book ReviewHow to cite this article:Mojsilović, Jelisaveta. "“Outside the Box” – Another View on Modern and Contemporary Art.”  Book Review: Nikola Dedić, Između dela i predmeta: Majkl Frid i Stenli Kavel između moderne i savremene umetnosti [Between Artwork and Object: Michael Fried and Stanley Cavell Between Modern and Contemporary Art], Beograd: Fakultet za medije i komunikacije, Univerzitet Singidunum, 2017." AM Journal of Art and Media Studies 15 (2018): . doi: 10.25038/am.v0i15.243 

The House of Mirth

2001 ◽  
Vol 55 (1) ◽  
pp. 49-51
Author(s):  
James Morrison
Keyword(s):  
Contemporary Art ◽  
Art Cinema ◽  
James Ivory ◽  
Costume Drama ◽  
American Classic ◽  
The Aesthetic ◽  
The House Of Mirth

The great British filmmaker Terence Davies adapts Edith Wharton's American classic, The House of Mirth, and the sensibilities of author and filmmaker mesh unexpectedly, producing a film of uncommon delicacy. Simulating the traditional costume drama as it has been codified by such directors as James Ivory, Davies actually works against the most entrenched conventions of the genre by countering naturalism with artifice. This review of Davies's film examines the aesthetic strategies of this extraordinary adaptation, and places the film in the context of Davies's work and contemporary art cinema more generally.

Sign in / Sign up

Export Citation Format

Share Document