scholarly journals Epitaphios logos – hybrydyczny gatunek retoryki ateńskiej

2021 ◽  
Vol 31 (1) ◽  
pp. 323-339
Author(s):  
Krystyna Tuszyńska

Athenian funeral oration (epitaphios logos) belongs to the epideictic rhetoric. But according to Aristotle the topics used in epideictic oratory could be applied in the deliberative kind, after some modification in the matters of language. In this article I consider the means proposed in the narrative part of the composition, which can be used instead of argumentation in epideictic oratory, i.e. amplification, metaphors and actualization (putting things before the eyes, gr. energeia, lat. evidentia). My purpose is to answer the question who was/is the recipient of Athenian funeral oration. In my opinion there are three kinds of primary recipients: the dead soldiers in the battle, the listeners present at the celebration (Athenians and foreigners) and the Idea of Democracy itself. I also try to find the so-called secondary recipient of Athenian funeral oration. I treat Athenian funeral oration as a hybrid genre of Greek rhetoric.

Author(s):  
Tanya Pollard

Chapter 5, “Bringing Back the Dead: Shakespeare’s Alcestis,” argues that, after incorporating Greek tragic women into comedies, Shakespeare increasingly drew on these figures to merge tragic and comic structures in plays featuring miraculous recoveries from apparent deaths. Plays such as Much Ado About Nothing, Pericles, and The Winter’s Tale not only dramatize women’s miraculous return to life from apparent death, but also link these recoveries with the performance of female lament, which elicits sympathies and melts audiences into supportive alliances. Drawing on sources shaped by Greek texts, these plays reconfigure tragedy with a happy ending, a hybrid genre identified with Euripides. In particular, they recreate the ending of Alcestis, in which a grieving man encounters a veiled woman who is eventually revealed to be his lost wife returned from death.


1996 ◽  
Vol 25 (4) ◽  
pp. 409-423
Author(s):  
Alan D. Bulley

Michael R. Cosby's The Rhetorical Composition and Function of Hebrews 11 provides the most extensive rhetorical analysis of the passage in question. In spite of the title of his book, however, Cosby's discussion of "function" has more to do with the rhetorical function of individual elements of style in Hebrews 11 than it has to do with the workings of the chapter as a persuasive unit. This article attends to the role of chapter 11 in the argumentation of Hebrews by building on Cosby's work through analysis of the techniques of epideictic rhetoric in connection with orations celebrating the dead, and of the inter-relation of the themes of pistis, suffering and death.


2020 ◽  
Vol 10 (2) ◽  
pp. 103-111
Author(s):  
Andrey K. Babin ◽  
Andrew R. Dattel ◽  
Margaret F. Klemm

Abstract. Twin-engine propeller aircraft accidents occur due to mechanical reasons as well as human error, such as misidentifying a failed engine. This paper proposes a visual indicator as an alternative method to the dead leg–dead engine procedure to identify a failed engine. In total, 50 pilots without a multi-engine rating were randomly assigned to a traditional (dead leg–dead engine) or an alternative (visual indicator) group. Participants performed three takeoffs in a flight simulator with a simulated engine failure after rotation. Participants in the alternative group identified the failed engine faster than the traditional group. A visual indicator may improve pilot accuracy and performance during engine-out emergencies and is recommended as a possible alternative for twin-engine propeller aircraft.


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