scholarly journals Thomas Middleton and the Plural Politics of Jacobean Drama

2021 ◽  
Author(s):  
Mark Kaethler
1970 ◽  
Vol 65 (4) ◽  
pp. 734
Author(s):  
David George
Keyword(s):  

2021 ◽  
Vol 28 (1) ◽  
pp. 66-87
Author(s):  
M. Burdick Smith

This essay argues that Thomas Middleton and William Rowley's The Changeling (1622) draws on debates about sense perception in the period to interrogate the effects of dramatic representation. After a brief overview of early modern perceptual theory, this essay demonstrates that the play's villain, De Flores, manipulates other characters’ perception through language. In fact, De Flores uses theatrical language to manipulate how other characters perceive their environment, indicating the theater's ability to manipulate audiences. By affecting how characters perceive, De Flores affects other characters’ ability to process and react to their environment, which impedes their judgment. The essay argues that much of The Changeling's dramatic action unfolds through a conflict between two models of perception—presentational and representational—that undergird much of the play's dramatic conflict. In the play, pervasive anxiety about judgment, particularly how perception affects judgment, is structured around the distinction between these two models of perception. Considering the play alongside representational and presentational models indicates how early modern dramatists engage with intellectual theories to consider how representation works and how spaces are experienced. In this way, the theater refracts and dramatizes theories about perception.


2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).


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