scholarly journals An Editor's Wish List

2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova
Keyword(s):  
Graduate Studies ◽  
Theatre Arts ◽  
Robert Wilson ◽  
Jacobean Drama ◽  
Award Winning ◽  
Senior Research Fellow ◽  
Senior Research ◽  
History Of ◽  
And Performance ◽  
The University

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).

The Dandy and the Dowager: Oscar Wilde and Audience Resistance

1999 ◽  
Vol 15 (4) ◽  
pp. 318-331 ◽  
Author(s):  
Joel Kaplan ◽  
Sheila Stowell
Keyword(s):  
Sexual Attitudes ◽  
Oscar Wilde ◽  
Contrasting Cases ◽  
Theatre Arts ◽  
Audience Reaction ◽  
Research Fellow ◽  
Senior Research Fellow ◽  
Picture Of Dorian Gray ◽  
Senior Research ◽  
The University

Oscar Wilde was punished not for failing to amuse the high society audiences for which he wrote, but for offending that society's sexual attitudes. Ironically, as Joel Kaplan and Sheila Stowell point out, his death transformed him ‘from a criminal outcast to a figure both redeemed and bankable’. For those who wished to exploit his theatrical legacy, the problems arose first of sufficiently dissociating the plays from what was perceived as their author's irredeemable behaviour – and then of finding a theatrical language to make the ridiculing of Victorian virtues risible for a society which had settled into the more relaxed moral corsetry of the Edwardians. Here, the authors take two contrasting cases in which audience reaction was decisive – the failure in 1913 of the attempt to dramatize Wilde's novel,The Picture of Dorian Gray, by converting it into a moral tract; and the process by whichThe Importance of Being Earnest, after a few attempts to render it timeless, became firmly pinned down in its period – and so a play at which audiences could safely laugh, confident they were no longer themselves the butts of the jokes. Joel Kaplan is Professor of Drama and Theatre Arts at the University of Birmingham. His recent publications include (with Sheila Stowell)Theatre and Fashion: Oscar Wilde to the Suffragettesand (edited with Michael Booth)The Edwardian Theatre: Essays on Performance and the Stage. Sheila Stowell is Senior Research Fellow in Drama at the University of Birmingham, and the author ofA Stage of Their Own: Feminist Playwrights of the Suffrage Era.

Peter Pan and Susan: Lost Children from Juliet to Michael Jackson

2007 ◽  
Vol 23 (4) ◽  
pp. 380-386
Author(s):  
Simon Trussler
Keyword(s):  
Peter Pan ◽  
Romeo And Juliet ◽  
Frank Wedekind ◽  
Spring Awakening ◽  
Jacobean Drama ◽  
Award Winning ◽  
Senior Research ◽  
History Of ◽  
Changing Attitudes ◽  
Michael Jackson

As the two articles following this amplify, whatever one's views of its intrinsic merits, J. M. Barrie's Peter Pan is open to a multiplicity of readings, and (notably since the RSC broke the mould in 1982) of stage interpretations – not to mention its co-option into Walt Disney's cartoon canon. Simon Trussler takes the play for a spin in such unaccustomed company as Romeo and Juliet and the almost contemporaneous ‘tragedy of childhood’ by Frank Wedekind, Spring Awakening, exploring the theme it sustains of betrayed childhoods, surrogate parenting, and changing attitudes towards grown men sleeping with small boys – a magical experience for Barrie, but much less comfortable for the singer Michael Jackson in his ranch called…Neverland. Simon Trussler is Co-Editor of New Theatre Quarterly and presently Professor and Senior Research Fellow at Rose Bruford College. His numerous books on drama and theatre include Shakespearean Concepts (Methuen, 1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Pocket Guide to Elizabethan and Jacobean Drama (2006), and Will's Will: the Lives and Last Wishes of William Shakespeare (National Archives, 2007).

The Classical Tradition in University Theatre

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Art Education ◽  
Classical Tradition ◽  
Theory And Practice ◽  
Theatre Arts ◽  
Tel Aviv ◽  
Greek Drama ◽  
Mise En Scene ◽  
History Of ◽  
Stage Performance ◽  
And Performance

This chapter surveys the history of classical Greek drama productions at the Department of Theatre Arts of Tel Aviv University as the basis for an exploration of the issue of theatre and art education. By analysing the students’ approach to classical Greek drama, we can see how they deal with the interpretative reading, translation, and performance of such texts on stage. We also see how the ancient works invite the students to delve more deeply into their distinctive content and forms; to draw links between theory and practice, and between text and context; to gain a deeper understanding of the issues of style and styling; and to engage in a richer experimentation with various aspects of stage performance—such as pronunciation, diction, voice, movement, music, and mise-en-scène.

scholarly journals Cancers in Humans: A Lifelong Search for Contributions of Infectious Agents, Autobiographic Notes

2019 ◽  
Vol 6 (1) ◽  
pp. 1-28
Author(s):  
Harald zur Hausen
Keyword(s):  
World War Ii ◽  
Early Life ◽  
Life Experiences ◽  
Infectious Agents ◽  
Scientific Career ◽  
World War ◽  
Senior Research Fellow ◽  
Senior Research ◽  
The University ◽  
Scientific Director

This review briefly covers periods of my early life; experiences during World War II; my school education; and my period as a medical student in Bonn, Hamburg, and Düsseldorf. Mainly emphasized is my scientific career after finishing my medical internship and periods as a postdoc at the Institute for Microbiology in Düsseldorf and the Virus Laboratories of the Children's Hospital of Philadelphia and as Senior Research Fellow at the Institute of Virology in Würzburg, Germany. Subsequent appointment as chairman of the newly established Institute of Virology, University of Erlangen-Nürnberg, in a similar position at the University of Freiburg, and then for 20 years as scientific director of the Deutsches Krebsforschungszentrum, Heidelberg, are discussed, covering the scientific developments during these periods. The emeritus period since 2003 was particularly exciting, leading to the discovery of autonomously replicating plasmids, derived from specific bacteria, and their link to common human cancers (colon, breast, and prostate).

Banditry Unleash'd; or, How The Robbers Reached the Stage

2006 ◽  
Vol 22 (1) ◽  
pp. 19-29
Author(s):  
George W. Brandt
Keyword(s):  
Professor Emeritus ◽  
Friedrich Schiller ◽  
Original Form ◽  
Senior Research Fellow ◽  
Senior Research ◽  
English Speaking ◽  
English Speaking World ◽  
University Of Bristol ◽  
The University ◽  
Don Carlos

Friedrich Schiller – poet, historian, and philosopher as well as dramatist – is acknowledged to be a towering figure in German-language theatre, yet has had only a fitful impact on the stages of the English-speaking world, where such of his works as Don Carlos, Intrigue and Love (Luisa Miller in the operatic version) and William Tell are better known through the filters of Verdi and Rossini than in their original form. But there were signs in 2005 – the bicentenary of Schiller's death at the tragically early age of forty-five – that the English theatre was taking more notice of this major playwright, with Phyllida Lloyd's production of Mary Stuart and Michael Grandage's of Don Carlos both well received. In the article which follows, George W. Brandt traces Schiller's troubled breakthrough into professional theatre as a young man with his first play, The Robbers – which, while significantly different from his later work, does anticipate his lifelong preoccupation with the theme of freedom. George W. Brandt, Senior Research Fellow and Professor Emeritus in the Drama Department of the University of Bristol, has previously contributed to NTQ with articles on Bristol's Shakespeare at the Tobacco Factory Company (NTQ 72), and Iffland's 1796 guest performance in the Weimar of Goethe and Schiller (NTQ 77).

A New University Center of Surveying in Canada

1980 ◽  
Vol 34 (2) ◽  
pp. 114-122 ◽  
Author(s):  
J. A. R. Blais ◽  
E. J. Krakiwsky
Keyword(s):  
Undergraduate Students ◽  
Graduate Programs ◽  
Western Canada ◽  
Full Time ◽  
Graduate Studies ◽  
University Center ◽  
Research Activities ◽  
University Of Calgary ◽  
History Of ◽  
The University

The establishment of a new surveying engineering program at The University of Calgary represents a major milestone in the history of the surveying profession in Canada. It is the first university surveying engineering center west of Ontario, and the establishment of the program required two decades of dedicated work by the profession in western Canada. This program includes an undergraduate component, graduate studies, research activities and continuing education. The Division of Surveying Engineering started in September, 1979, with two full-time professors, five sessional lecturers and 22 undergraduate students. Three additional full-time professors are joining the Division for the second semester, and about 10 graduate students have already applied for graduate programs. When fully operational, circa 1981, the Division of Surveying Engineering will have about 12 teaching members and will occupy 900 m2 of newly renovated floor space in The University of Calgary engineering complex.

scholarly journals Landscapes of Fact and Fiction: Asian Theatre Arts in Britain

2000 ◽  
Vol 16 (1) ◽  
pp. 26-33 ◽  
Author(s):  
Barnaby King
Keyword(s):  
British Society ◽  
Small Scale ◽  
Theatre Arts ◽  
Black Arts ◽  
Asian Populations ◽  
African Caribbean ◽  
Postgraduate Studies ◽  
History Of ◽  
Studio Theatre ◽  
The University

In the first of two essays which use academic discourses of cultural exchange to examine the intra-cultural situation in contemporary British society, Barnaby King analyzes the relationship between Black arts and mainstream arts on both a professional and community level, focusing on particular examples of practice in the Leeds and Kirklees region in which he lives and works. This first essay looks specifically at the Asian situation, reviewing the history of Arts Council policy on ethnic minority arts, and analyzing how this has shaped – and is reflected in – current practice. In the context of professional theatre, he uses the examples of the Tara and Tamasha companies, then explores the work of CHOL Theatre in Huddersfield as exemplifying multi-cultural work in the community. He also looks at the provision made by Yorkshire and Humberside Arts for the cultural needs of their Asian populations. In the second essay, to appear in NTQ62, he will be taking a similar approach towards African-Caribbean theatre in Britain. Barnaby King is a theatre practitioner based in Leeds, who completed his postgraduate studies at the University of Leeds Workshop Theatre in 1998. He is now working with theatre companies and small-scale venues – currently the Blah Blah Blah company and the Studio Theatre at Leeds Metropolitan University – to develop community participation in theatre and drama-based activities.

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