The Elizabethan Period (including the reign of James I. and that of Charles I. to the outbreak of the Civil War). 1558-1642

Keyword(s):  
James I ◽  
1966 ◽  
Vol 6 (1) ◽  
pp. 23-44 ◽  
Author(s):  
J. W. Daly

The followers of King Charles I in the Civil War, long among the whipping boys of English history, have been receiving better treatment since the Whig interpretation of the seventeenth century lost its pristine vigour. This is particularly true of their constitutional position as set forth in the great outpouring of manifestoes and pamphlets during the war. Edward Hyde, perhaps the key figure in this aspect of royalism, has recently profited from a capable defence of his opinions and policy. Similarly, pamphleteers such as Henry Ferne, Dudley Digges, and John Bramhall are now fairly well known, thanks largely to J. W. Allen's pioneering study of their writings. From work like this it is clear that the royalist spokesmen accepted the increased importance of Parliament, the end of prerogative courts and nonparliamentary taxation, and the supremacy of common and statute law. Like their armies in the field, they were defending the monarchy as overhauled in 1641, not as the Tudors left it, much less as James I may have conceived it. Indeed the classical doctrine of the mixed or balanced constitution, glorified by Blackstone and widely accepted until nearly 1830, is now credited, not to Philip Hunton, but to the royalists. Such rehabilitation has done much to remove the patronizing label of “wrong but romantic,” which was once the best which they could hope for from historians or the general public.Allen and those who followed him naturally concentrated on the legal and constitutional analysis of the origins of authority, the veto power, sovereignty, nonresistance, and so forth.


2010 ◽  
Vol 53 ◽  
pp. 1-39
Author(s):  
Vaughan Hart

In July 1650 the Puritans tore down the statues of the two Stuart kings, James I and Charles I, which crowned the portico on the west front of St Paul’s Cathedral in London (Fig. 1). According to one contemporary report, under the new Republican authorities the portico’s Corinthian columns, which had been erected only a few years earlier by Inigo Jones (1573-1652), were ‘shamefully hewed and defaced’. Clearly his architecture, or certain forms of it, did not enjoy immunity from the Puritan animosity directed at royalist and religious iconography during the Civil War and its aftermath. This conflict had brought to a head the underlying religious tensions and related aesthetic sensitivities that Jones had had to respect throughout his career popularizing the antique (or all’antica) style of building. The Orders had run the obvious risk of being interpreted as foreign, pagan or — worst of all — Popish, at least by Puritans, and as such they required reconciling to English sensitivities and national identity.


1998 ◽  
Vol 34 (3) ◽  
pp. 59-81 ◽  
Author(s):  
Jean MacIntyre
Keyword(s):  
James I ◽  

George Villiers, Duke of Buckingham (1592-1628), favorite of James I and of Charles I as both prince and king, used skill in dancing, especially in masques, to compete for and retain royal favor. Masques in which he danced and masques he commissioned displayed his power with the rulers he ostensibly served. His example and teaching taught Prince Charles that through masque dancing he might win his father's favor, and probably made Charles believe that his appearance in court masques of the 1630s would similarly win his subjects' favor.


Sign in / Sign up

Export Citation Format

Share Document