scholarly journals Exploring and Deployment process of Kim Rae-seong’s Mystery Novel

2015 ◽  
Vol 43 (3) ◽  
pp. 261-292
Author(s):  
홍래성
Keyword(s):  
Author(s):  
Daniel Orrells

Richard Marsh’s fiction made a significant contribution to the arguments that circulated during the 1890s about aesthetics and the commodification of culture. The plots of sensational popular novels and the sights and sounds of the music hall were all deemed unworthy, addiction-inducing forces by cultural commentators at the time. This chapter focuses on The Mystery of Philip Bennion’s Death (1892/1897), a murder-mystery novel in which a work of art – a poisoned Renaissance cabinet – apparently kills its owner, a collector of curios: the dangers of art could hardly be more pressing. Marsh’s novel looks back on a century of writers who have associated fine art with crime, from De Quincey’s provocation that murder could be a fine art to Pater’s and Wilde’s interest in the aesthetics of transgression and the entertaining nature of murder. This chapter explores how Marsh's writing was at the heart of 1890s debates about collecting, aestheticism and decadence.


Public ◽  
2020 ◽  
Vol 30 (60) ◽  
pp. 282-284
Author(s):  
Inbal Newman

Women & Their Work Gallery, Austin, TX, 29 September - 8 November 2018This review examines works by artist Candace Hicks, with special attention given to those in the 2018 exhibit Many Mini Murder Scenes. Hicks’s practice as a printmaker and book artist explores embroidered composition notebooks, encoded text in books and on posters, and interactive exhibits. The pieces in this exhibit include dioramas from murder mystery novel scenes with invisible ink clues and contrasting large scale papercraft images.


1986 ◽  
Vol 45 (1) ◽  
pp. 129
Author(s):  
David R. Mayer ◽  
Roger Caillois ◽  
Roberto Yahni ◽  
A. W. Sadler
Keyword(s):  

Beyond Return ◽  
2019 ◽  
pp. 132-194
Author(s):  
Lucas Hollister

In this chapter, I examine how Jean Echenoz transforms and repurposes popular genres—specifically crime fiction and the war novel--in subtly political manners. Through readings of Echenoz’s (anti-)mystery novel A Year (1997) and his short war novel 1914 (2012), I show how Echenoz smuggles biopolitical and spectral problematics into his works, enlarging the conceptual scope of popular story forms and genre fictions. My reading of Echenoz positions him not as a writer that brings us back to the pleasures of story, but rather as a writer who demonstrates how we can alter the generic conventions and narrative strategies of popular violent fiction in order to account for biopolitical exclusion and mediated phantom pain. Echenoz is thus a writer who shows us some ingenious strategies for rethinking the uses of forms and genres.


2021 ◽  
Author(s):  
Elżbieta Perkowska-Gawlik
Keyword(s):  

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