A Study on the Color Symbolism of the Clothes According to the Character Type of the TV Drama 'SKY Castle'

Abstract. This study explored how group identification, avatar similarity identification, and social presence mediated the effect of character type (avatars or agents) and social identity cues (presence or absence of avatars wearing participants’ school colors) on game enjoyment. Playing with teammate avatars increased enjoyment indirectly by enhancing group identification. In addition, the presence of social identity cues increased enjoyment indirectly by augmenting identification with one’s avatar. Unexpectedly, playing in multiplayer mode in the presence of social identity cues decreased enjoyment, whereas playing in multiplayer mode in the absence of social identity cues increased enjoyment. Social presence was not a reliable mediator. The findings supported media enjoyment and social identity theories, and highlighted how virtual character type and identification processes influence enjoyment.

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Color symbolism: A review of some studies

PsycEXTRA Dataset ◽

10.1037/e668292012-435 ◽

1976 ◽

Author(s):

Vid Pecjak ◽

Nevenka Sadar

Keyword(s):

Color Symbolism

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Studying the Value of the Old Korean Novel Readers in the Late Joseon Dynasty through Pansori Novels Character Type – Centering on Confucian and Buddhist Ideas –

The Review of Korean and Asian Political Thoughts ◽

10.35161/rkapt.2019.03.18.1.141 ◽

2019 ◽

Vol 18 (1) ◽

pp. 141-186

Author(s):

Bo Bae Jeong

Keyword(s):

Character Type ◽

Joseon Dynasty

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On the Connection between Physical Defects and The Character Type of the “Exception”

The Psychoanalytic Quarterly ◽

10.1002/j.2167-4086.2001.tb00611.x ◽

2001 ◽

Vol 70 (3) ◽

pp. 549-578

Author(s):

Joseph Fernando

Keyword(s):

Character Type ◽

Physical Defects

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Playing (the Casino) Indian: Native American Roles in Peak TV

American Indian Culture and Research Journal ◽

10.17953/aicrj.44.4.mohler ◽

2020 ◽

Vol 44 (4) ◽

pp. 79-100

Author(s):

Courtney Elkin Mohler

Keyword(s):

Native American ◽

First Century ◽

Character Type ◽

House Of Cards ◽

Award Winning ◽

Established Line ◽

The Sopranos ◽

Noble Savage ◽

Twenty First Century ◽

Big Love

The current television era, sometimes called “Peak TV,” was ushered in with serious creatordriven shows of the late 1990s. The increasingly frequent Indian character type of the manipulative, money-hungry, and usually criminal casino “chief”/CEO simultaneously offers dramatically significant guest-star roles for Native actors and reflects a neoliberal version of the Noble Savage fit for twenty-first century audiences. This article analyzes examples of the “casino Indian: characterization found in the award-winning television dramas The Sopranos, Big Love, The Killing and House of Cards. Adapting the figure of the imagined “Indian” to suit the anxieties of our political and economic moment, each of these critically acclaimed shows have created an image of “Indianness” in relation to “casinos” and thereby have added the casino Indian trope to the long-established line of “Indian” characters crafted by non-Native “experts,” writers, and artists of the stage and screen.

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