The Church of St. Martin at Angers. The Architectural History of the Site from the Roman Empire to the French Revolution

1954 ◽  
Vol 17 (1) ◽  
pp. 100
Author(s):  
Ernst Gall ◽  
George H. Forsyth
1933 ◽  
Vol 2 (1) ◽  
pp. 22-40 ◽  
Author(s):  
Charles Lyttle

Apart from the democratized Catholicism of the Civil Constitution of the Clergy (July 12, 1790) the French Revolution occasioned four phenomena of novel significance: (a) The so-called “Cult of Reason” established in effect though not in name by decree of the Convention in November, 1793; (b) The nationalist Decadal fêtes, provided for that same autumn, when the church calendar was replaced by the republican; (c) the “Cult of the Supreme Being” originating in legislation of May 1794 and culminating in the Fête of the Supreme Being on June 8 following; (d) the Cult of Theophilanthropism whose prayerbook, called a Manuel at first, was composed in the summer of 1796, printed in the fall, adapted to the needs of public worship as well as domestic in December, and actually used in the former way for the first time on January 15, 1797. Following the precedent of the Abbé Grégoire, whose great History of the Sects of the Revolution appeared in 1814, these four phenomena have been classed together, with the obvious implication that all were tarred with the same stick, the ingredients of the tar consisting of infidel fatuity and political chicanery. Such indeed was the general impression that had already been conveyed by the hostile comments of conservative critics outside France. Consequently it became almost a tradition for decades to consider the four phenomena together as brilliant illustrations of the Deistic philosophy of religion, with the overt or implicit suggestion that they stand as incontrovertible proof of the infatuation of radical doctrinaires and of their folly in supposing that the religious impulse could be suffocated, or that its forms of expression nonchalantly improvised, or its nature changed from that of faith, mystery and revelation to that of reason and morality. Only recently have the researches of Aulard, Mathiez and others served to set before us accurate pictures of the actual ceremonies of these novel cults, as well as careful analyses of the sources and motives of their inception. These researches and revaluations justify a review of the traditional conceptions. Omitting the nationalistic Decadal fêtes as purely secular, our study will be devoted to the Cults of Reason, of the Supreme Being and of Theophilanthropism.


2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


Author(s):  
Ruth Scurr

Thomas Carlyle claimed that his history of the French Revolution was ‘a wild savage book, itself a kind of French Revolution …’. This chapter considers his stylistic approaches to creating the illusion of immediacy: his presentation of seemingly unmediated fact through the transformation of memoir and other kinds of historical record into a compelling dramatic narrative. Closely examining the ways in which he worked biographical anecdote into the fabric of his text raises questions about Carlyle’s wider historical purposes. Pressing the question of what it means to think through style, or to distinguish expressive emotive writing from abstract understanding, is an opportunity to reconsider Carlyle’s relation to his predecessors and contemporaries writing on the Revolution in English.


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