E. W. Von Tschirnhaus and the Ars Inveniendi

1993 ◽  
Vol 54 (3) ◽  
pp. 395 ◽  
Author(s):  
C. A. Van Peursen
Keyword(s):  
Ars Inveniendi

PRAGMATISMO E HISTORIOGRAFIA JURÍDICAPRAGMATISM AND LEGAL HISTORIOGRAPHY

2016 ◽  
Vol 6 (10) ◽  
Author(s):  
José Duarte Nogueira (Universidade de Lisboa, Portugal)
Keyword(s):  
Ars Inveniendi

O pragmatismo jurídico, enquanto modelo de concretização do processo de justiça, encontra-se reflectido nas diversas experiências históricas que moldaram a evolução do direito ocidental ao longo dos tempos. Sob a capa de intervenções concretas ou de formulações não teorizadas, mas presentes na mente dos juristas, percebe-se a nível prudencial, judicial e político-legislativo desde o direito romano clássico, passando pelos quadros da ars inveniendi posterior até à idade moderna. Trata-se, provavelmente, de uma forma natural de o prudente procurar fixar a melhor solução possível para o problema, mais sobressaliente quando certas circunstâncias políticas e sociais se verificam, à qual o pensamento do último século procurou dar enquadramento jusfilosófico em face de outras concepções presentes na sociedade.

Francis Bacon and Ars Inveniendi

2021 ◽  
Vol 158 ◽  
pp. 97-115
Author(s):  
Shi-hyong Kim
Keyword(s):  
Francis Bacon ◽  
Ars Inveniendi

Ars oblivionalis, ars inveniendi: The Cherub Figure and the Arts of Memory

Gesta ◽  
2009 ◽  
Vol 48 (2) ◽  
pp. 99-117 ◽  
Author(s):  
MARY J. CARRUTHERS
Keyword(s):  
The Arts ◽  
Ars Inveniendi

GRUNDZÜGE VON LULLS ARS INVENIENDI VERITATEM

1961 ◽  
Vol 43 (3) ◽  
Author(s):  
R. D. F. PRING-MILL
Keyword(s):  
Ars Inveniendi

L’esthétique wolffienne comme ars inveniendi

2006 ◽  
pp. 37-48
Author(s):  
Stefanie Buchenau
Keyword(s):  
Ars Inveniendi

STOICISM AND ITS METAPHORS IN EARLY MODERN EMBLEM BOOKS

2021 ◽  
Vol 29 (1) ◽  
pp. 145-176
Author(s):  
Alexander Makhov ◽  
Keyword(s):  
Early Modern ◽  
Visual Language ◽  
Visual Metaphor ◽  
Human Soul ◽  
Social Doctrine ◽  
Emblem Books ◽  
Abstract Ideas ◽  
Ars Inveniendi

The moral and social doctrine of Stoicism, well known among Early Modern humanists, was popularized in the emblem books of the time. The tool of this popularization was the visual metaphor capable of conveying abstract ideas through concrete images. The main stoic notions (such as virtue, apatheia as a complete freedom from passions, constancy, patience, etc.) have found extremely diverse metaphorical equivalents in the visual language of emblems, where inanimate objects (e.g. rock, flint, anvil, tongs, cube, scales) as well as living creatures (kingfisher, turtledove, bear) could equally function as metaphors. Emblematics, being a kind of ars inveniendi, acted as a mechanism for inventing new metaphors to express old meanings. However, some traditional metaphors dating back to antiquity (for example, Plato’s comparison of the human soul to a chariot pulled by two horses – “reason” and “emotion”) were also rethought in the spirit of the Stoic doctrine.

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