scholarly journals Integrating cinema: uncovering the film librarianship of William J. Sloan at the New York Public Library

Author(s):  
Isaac Prusky

This thesis explores the career of William J. Sloan, the first Supervising Film Librarian for The New York Public Library, who worked at the institution from 1958 to 1980. The objective is to demonstrate how Sloan ensured The New York Public Library remain relevant to future generations through expansion of its moving image media collection and activities. This has been accomplished by examining Sloan’s concerted efforts to promote moving image media as a film librarian, educator, and programmer during his time at The New York Public Library, as well as influential media projects he completed there. By showing that Sloan expanded the moving image media collection of The New York Public Library through his work in a number of fields, this thesis highlights Sloan’s lasting influence on the Library and New York film community today, as well as his role in establishing the Reserve Film and Video Collection.

2021 ◽  
Author(s):  
Isaac Prusky

This thesis explores the career of William J. Sloan, the first Supervising Film Librarian for The New York Public Library, who worked at the institution from 1958 to 1980. The objective is to demonstrate how Sloan ensured The New York Public Library remain relevant to future generations through expansion of its moving image media collection and activities. This has been accomplished by examining Sloan’s concerted efforts to promote moving image media as a film librarian, educator, and programmer during his time at The New York Public Library, as well as influential media projects he completed there. By showing that Sloan expanded the moving image media collection of The New York Public Library through his work in a number of fields, this thesis highlights Sloan’s lasting influence on the Library and New York film community today, as well as his role in establishing the Reserve Film and Video Collection.


2021 ◽  
Author(s):  
Olivia Fay Wong

This thesis explores decisions on access to collections with sensitive content through a case study analysis of the library principles and archival practices applied to the films from the Youth Film Distribution Center (YFDC). These films are overseen by the Reserve Film and Video Collection at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center. The Reserve Film and Video Collection has been the principal circulating audiovisual department for The New York Public Library since the 1950s. The objective of this thesis is to explore processing decisions for films with sensitive content (e.g. films promoting negative stereotypes of their subjects or featuring violent or sexually explicit content). The thesis offers an historical overview of the Youth Film Distribution Center and outlines the processing decisions surrounding levels of access for the YFDC title Seeing (1972).


2021 ◽  
Author(s):  
Olivia Fay Wong

This thesis explores decisions on access to collections with sensitive content through a case study analysis of the library principles and archival practices applied to the films from the Youth Film Distribution Center (YFDC). These films are overseen by the Reserve Film and Video Collection at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center. The Reserve Film and Video Collection has been the principal circulating audiovisual department for The New York Public Library since the 1950s. The objective of this thesis is to explore processing decisions for films with sensitive content (e.g. films promoting negative stereotypes of their subjects or featuring violent or sexually explicit content). The thesis offers an historical overview of the Youth Film Distribution Center and outlines the processing decisions surrounding levels of access for the YFDC title Seeing (1972).


2021 ◽  
Author(s):  
Olivia Fay Wong

This thesis explores decisions on access to collections with sensitive content through a case study analysis of the library principles and archival practices applied to the films from the Youth Film Distribution Center (YFDC). These films are overseen by the Reserve Film and Video Collection at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center. The Reserve Film and Video Collection has been the principal circulating audiovisual department for The New York Public Library since the 1950s. The objective of this thesis is to explore processing decisions for films with sensitive content (e.g. films promoting negative stereotypes of their subjects or featuring violent or sexually explicit content). The thesis offers an historical overview of the Youth Film Distribution Center and outlines the processing decisions surrounding levels of access for the YFDC title Seeing (1972).


2021 ◽  
Author(s):  
Olivia Fay Wong

This thesis explores decisions on access to collections with sensitive content through a case study analysis of the library principles and archival practices applied to the films from the Youth Film Distribution Center (YFDC). These films are overseen by the Reserve Film and Video Collection at The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center. The Reserve Film and Video Collection has been the principal circulating audiovisual department for The New York Public Library since the 1950s. The objective of this thesis is to explore processing decisions for films with sensitive content (e.g. films promoting negative stereotypes of their subjects or featuring violent or sexually explicit content). The thesis offers an historical overview of the Youth Film Distribution Center and outlines the processing decisions surrounding levels of access for the YFDC title Seeing (1972).


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