Not so Foreign: the Case of Saint Jack

2018 ◽  
pp. 92-118
Author(s):  
Edna Lim

This chapter develops on the topic of foreignness in Singapore films and discusses the ways that Singapore has been depicted in films made outside the country, especially by Hollywood. It addresses the tendency to polarise local- and foreign-made films as inside/outside perspectives and argues that they all perform a Singapore that is equally foreign regardless of where they were made. The chapter also problematises the tendency to limit the study of national cinema to locally-made films by making the case for how a Hollywood production like Saint Jack (Peter Bogdanovich, 1979) can be considered a Singapore film.

1995 ◽  
Vol 49 (1) ◽  
pp. 46-46
Author(s):  
Nina Rosenblatt
Keyword(s):  

Author(s):  
Michael Brendan Baker

This chapter offers a narrative account of music in Canadian cinema that highlights the contributions of its pioneers. Case studies spanning the critically acclaimed, the curious, and the marginalized allow for an effort to flesh out the place of music, particularly popular music, in this national cinema. While the esthetics and dollars-and-cents of music in film may be similar in Canada as elsewhere, the expectations of filmmakers and audiences are perhaps uniquely Canadian as a result of industrial and institutional forces. Animation, the avant-garde, and documentary are particularly vibrant spaces for the innovative use of music and differentiate the history of music in Canadian cinema from other more commercially oriented contexts.


1963 ◽  
Vol 16 (4) ◽  
pp. 63-63
Author(s):  
Ernest Callenbach
Keyword(s):  

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