The article investigates writing strategies employed by Stanisław Grochowiak
as an author of radio plays. Burzyńska analyses two of his works: Zaczarowana stacja
(Enchanted railway station) and Perła (The Pearl) based on the novella by John Steinbeck. The article focuses on tracing differences between a theatrical play, a narrative text
and a radio play and describes various methods that enabled Grochowiak to turn apparent restrictions of radio (e.g. „invisibility” of radio plays) into artistic advantages.
